A Painting of the Villainess as a Young Lady - Chapter 5

Transmigrated into a trash body of general's daughter as female lead? Peh! Too mainstream! Transmigrated to be a villainess? Common! What about transmigrating and ending up as cannon fodder? Have read it before!

I just want to be different, no one can guess what I want to do, the more mysterious the more powerful.

- Description from novelbuddy

Murong Jiu, the Ninth Young Miss of the Marquis Mansion, was ugly and talentless, and her fate was to harm her relatives. She was raised in the countryside from a young age. Due to her exceptional medical skills, she was used by the Crown Prince, who drained her of all her value and then threw her into a deep well to drown.Only before her death did she realize she had been switched at birth. Others were rightfully enjoying everything that should have been hers; later, all her family died for her, becoming stepping stones for the Crown Prince!Reincarnated, she returned like a vengeful ghost from hell, making her enemies tremble with fear, ready to seek revenge for each grievance.Unexpectedly, she unintentionally became the darling of her biological family, which made her retract her sharp edges.As the substitute Princess Consort of Prince Ling, she and Prince Ling were a fake couple, intent only on finding the real father of the child in her womb, yet unaware that the man from that night was right in front of her…

Akira Tsukihara was a romance author who despised love. Though she wrote best-selling novels filled with idealistic romance, she harbored nothing but contempt for the genre and the readers who adored it. Love, in her eyes, was a lie—an illusion that blinded people from the true forces of the world: power, betrayal, and ambition. One night, in a fit of frustration, she cursed love itself... and woke up trapped inside one of her own stories.Reborn as Aira, a nameless peasant girl in the Kingdom of Seraphis—a world she had meticulously crafted—Akira quickly realizes that reincarnation isn’t the fantasy dream she had written about. She isn’t a noble, a princess, or a heroine blessed with beauty and power. She is a nobody. A commoner, struggling to survive in the harsh realities of the medieval world she had once designed as a mere backdrop for her grand romances.As Aira, she faces starvation, endless labor, and the crushing weight of insignificance. But Akira was never one to accept fate. If she couldn’t escape this world, she would rewrite the story on her own terms. She would carve her name into history—not as the lovestruck heroine of a cliché romance, but as the mastermind who would bend the world to her will.In a land ruled by noble bloodlines and political schemes, where the romance tropes she once loathed play out before her eyes, Aira sets her sights on one goal: destroying the very ideals of love that had imprisoned her in this wretched world.Even if it means becoming the villain of her own story.