Because I Cannot Hurt You - Chapter 19: A date

Zhou Mu finds himself remaining in a single-player VR game despite having decided to quit after platinum-ing the entire game. However, he realizes that the world has completely changed. Realizing life in the game is better, he continues on with his in-game name, William Kane.

“Why is the world united under my name? And what’s with the religion that honors me as their god? The royals are claiming to be my descendants? Was there ever such a function in the game? What have they done for the past 1000 years when I was gone?”

Zhou Mu was completely lost.

“Are you calling me a traitor? Aren’t you guys the ones who have been doing evil deeds in my name? Behold, for you shall witness this lost forbidden spell!”

Betrayed by those he empowered. Slain at the peak of his reign. Reborn into a world unworthy of him.Tian Mo was once a supreme cultivator, a dark sovereign who ruled with absolute might and terrifying intellect. After a million years of conquest, his closest allies turned on him, stripping him of everything. But fate offered no rest. Reincarnated into modern-day Earth, he awakens in a weak mortal body—yet his memories, ambition, and ruthlessness remain untouched.In this strange new world of technology and fragile peace, Tian Mo finds new prey. With the Primordial Chaos Demonic Evil Physique and the forbidden Divine Sins Emperor Technique, he begins building his empire from the shadows. He manipulates the system, devours the corrupt, and topples the powerful—not out of justice, but vengeance... and the endless hunger for power.There are no heroes in this tale. Only a monster reborn—and the world that will burn beneath his feet.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.