Cannon Fire Arc - Chapter 960 - 14: Disintegration_2

Vincent van Gogh, the painter who refused to be an accessory Of power and painted with his soul at the tip of a brush, was not understood by anyone and had to die like a madman, and he woke up in 21st century Korea.

Like a wheat field melted with gold, like a sunflower that swallowed the sun, a dazzling painter once again takes the brush.

In the Cyberpunk era, the Corporate Alliance dominated the world, with humans and witches alike serving as corporate cash cows, enslaved by advanced technology.Changes were thus unveiled, and Xu Yang, refusing to become a corporate slave, resolved to flee. He intended to rescue the adorable yet powerful witches from the clutches of the giant corporations, embarking on a path of innovation!

“Hunter Full Time”, who traveled to the top of the three high-risk worlds, obtained the trait-type telekinetic ability-the fruit of face, and began to live (zhuang) daily (bi) with a single sentence.

“Give me some face, let’s leave this matter alone!”

- Description from novelbuddy

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.