Demon King - Chapter 127: Predation – 2

Ye Qinghan, young master of the powerful Ye Family, gets ostracized when his peerless father meets an unfortunate end. Lacking strength and in a bid to live a Purposeful life, he suffers through the unending ridicule, bullying and torture dealt to him at each turn. However fate is a cruel mistress and offers only pain and misery with no end in sight. Broken, weak and distraught, Ye Qinghan embarks on a journey to usurp the hands of fate and attain strength to protect his own.

Follow Ye Qinghan on his journey fraught with perilous encounters, betrayals and fortune as he seeks to overturn the heavens, defy fate and grasps his destiny in his arms.

- Description from Novelupdates

As 21 years old Noah closes his eyes for what he thinks will be eternity, he wakes up in the body of a girl 7 years younger than him.Vasilisa, as she is known, is hated and mistreated by the people around her because of the Muddy Tongue curse which not only impedes her speech, but makes her magic unstable.This effectively makes her the harder than hard mode when it comes to reincarnation, and, of course, fate made her his “avatar” in this new world full of mechanics he only ever saw in video games.Despite this, Noah as decided…Whether as Vasilisa or himself, this time he will find a way to exist for the world.

Religious and cultural schisms wreak havoc on its internal politics, while revolutions are brewing in neighboring kingdoms. The aristocratic houses play endless power games amongst themselves, and the Emperor desperately abuses what little influence he has left to keep his rivals down.Amidst all of this, Arnold von Hohenfels, first son of the Margrave of Hohenfels, finds himself in the unfortunate position of having to attend the Imperial Academy, a notorious battleground of wits and brawn for ambitious young nobles.Armed with a magical gift that is as much a blessing as it is a curse, he must learn to navigate the treacherous waters of aristocratic entanglements. In the name of his family’s ambition, he must represent House Hohenfels' interests in this microcosm of Imperial politics, deal with his formidable enemies, form alliances of his own, and somehow keep his brash cousin Friedrich out of trouble.Frankly, he would much rather be anywhere else.

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.