Doomsday Spiritual Artifact Master - Chapter 43.3: Bloody Ferrara (15)

Xia Yuqing is a shut-in+fujoshi from the 21st century. After an accident, she transmigrates into the body of a young princess forced into a political marriage to another country.

“W-where is all this blood coming from? Is this– Is this nose blood? AH, YOUR HIGHNESS! A-are you alright? What? No! You mustn’t! Princess Xia, please, come back!”

“… I… need… to… see…”

The aide could only helplessly look on as Princess Xia Yuqing crawled towards the emperor’s quarters, leaving a trail of blood in her wake.

Fujoshi: a term for a woman who enjoys reading about relationships between men.

- Description from Novelupdates

Jiang Pengji got something called the Court Intrigue Stream System.
System: “Your goal is to become the most prestigious woman in the kingdom (the Queen)!”
Jiang Pengji: “Okay, System. No problem!”
Years later, she met the target by becoming the most prestigious woman (the Empress).
Jiang Pengji: “Well done, no?”

- Description from Novelupdates

As a boss with space plant abilities in the apocalypse, Lu Yao once traveled to the future, became the director of a nursery school that was about to close down, and became a rare animal human on the verge of extinction.
The food she made at random can cure the genetic disease of the cubs in the welfare home. She punched the cubs’ scum fathers and scum mothers, and kicked the remarried families who abandoned the cubs.
It is such a good kindergarten successor dean, who is attracted by that single cool imperial marshal!
Since then, the barrage in the live broadcast room has become:
Imperial Citizen A: Dean A, I really want to marry.
A certain big black dragon: Shut up! This is your marshal’s wife!
CP: Dean Lu Yao, who is extremely protective of short-sightedness and loves cubs, X the imperial marshal Helanjia who loves Shang Yunxi more than cubs
Brief: There are no bad cubs, only bad big ones.

- Description from novelbuddy

In a romance novel called “The Secret Lovers of the Academy” the male lead would often torment his fiancée–but wait, why did she cross into this world to become his fiancée, the villainess, instead of the heroine?

Louise Sweeney found the perfect solution to escape the misfortune of being the villainess: “Your Highness, I just want to tell you that we don’t have to be tied with our engagement. We weren’t even officially engaged, right?”

But what was wrong with the male lead’s reaction? To her suggestion, he replied “But our engagement wasn’t false, don’t you agree?”