PREVIEW
... d grin.
On the drive back, Nolan mulled over Martin’s approach of stationing the effects producers right by the soundstage, syncing effects creation with filming in real time. He figured it could boost efficiency in a big way.
And it was so damn flexible—if a fresh idea sparked during a take, you could just holler for the effects team to tweak something off-camera on the spot.
Maybe I should borrow a page from that playbook.
For the next stretch, whenever Nolan ha ...
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