Evolution begins with an ant colony - Chapter 57 The storm: The battle begins

Perhaps it is the choice of fate. As a senior otaku, Qian Lingfeng got the “steel shell system”. However, when he swept the world with the system, became a local rich man, made all kinds of beautiful women, opened a harem, and realized the ultimate fantasy of thousands of otaku, he found that things seemed far from simple!
When the end comes, biochemical zombies suddenly come down, fierce beasts are in power, bloodthirsty zerg roam to kill the world, and human lives are comparable to dirt. Where will weak human beings go in this world? Is humanity going to be extinct? Or … can an otaku save the fate of the human race?

- Description from Novelupdates

When Naruto was young, he could see several big faces on Hokage Rock directly when he opened his eyes every morning. The window of Uchiha Xinxuan’s house will first see the Police Department Building, as for Hokage Rock, only a silhouette can be seen.

I dare not think about it, but it should also try to climb to a higher position to see the scenery.

PS: In terms of the original plot and settings, all the comics are used (excluding Boren Biography, Itachi True Biography, TV and theatrical versions), mainly because there is only one set of comics at hand.

- Description from novelbuddy

As the owner of an ordinary bookstore, Ling PingAn’s biggest wish was to muddle through life and do absolutely nothing.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.