Ferocious Boss: Hubby, Let’s Get Married - Chapter 4352

A struggling businessman on the verge of bankruptcy finds himself drunk one night, only to wake up in the past—specifically, in 1943 London, amidst the chaos of World War II.This is an era of both immense danger and unprecedented opportunity. It is a time when the British Empire, once the unrivaled superpower where the sun never set, is finally witnessing the dusk of its dominion. Meanwhile, the United States is rising to claim the mantle of global leadership, reshaping the world's balance of power.This is the era where everything begins—where old rulers step down and new powers rise to take their place. This is the era where Pierre finds himself, an era filled with the kind of opportunity he never had before. A small, precious chance to rise, to become a giant, to seize the throne of power, to become a ruler, a world hegemon.

In her former life, she was robbed of her status, her looks, and her reputation.

Immortals, gods, demons, princes and generals; dragon girls hold lamps, and the cups hold the sea.

Wild foxes practice Zen, and fierce tigers realize Taoism; they swim in the North Sea in the morning, and go to Cangwu in the evening.

Immortals and gods survive, and demons establish a country.

These originally had nothing to do with Qi Wuhuo.

And Qi Wuhuo, who always saw square characters in his dreams, only thought about being able to participate in the spring test in the coming year.

Until when he was making yellow rice rice, an old man gave him a jade pillow, which made him have a long dream.

Huang Liang has a dream.

…………

Huang Liang awakened from his dream and broke his heart, and since then he has opened the door to practice.

The golden crow flies, and the jade rabbit leaves.

One grain of millet in the three realms, the dust of the mountains and rivers for several years.

Pass the sword leisurely through the downtown.

No one knows that I am a real fairy.

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.