Holding On to My Man - Chapter 22 part2

Mo Ran felt that taking Chu Wanning as his master was a mistake.

(Chongwen, strong men and women) On the wedding day, her husband stabbed the knife of betrayal into her heart with his own hands,

“Did you know? The person who saved you back then was not me, but the sick child who first asked Tian!”

Only then did she know that she had been in love with the wrong person!
In the raging fire, she vowed like a ghost:

“Sikong Hao, I swear to God that if there is an afterlife, I will seize your imperial power and destroy your country!”

Opening her eyes again, she found that she was actually reborn on the body of Bei Gongxue, the number one waste material of the Bei Gong family.

Clenching her fists, she hooked her lips and sneered: This time, she will not be blind and love others wrongly.

To the person who harmed her, she directly tramples on it, and to the person who loves her, she swears to protect her to the death, and she will never let him suffer any more grievances!

When the waste material turns over, when the sick king no longer hides his strength, their love is destined to be vigorous, so that the world can only look up!

But when the world said that Princess Xuan was arrogant and ruthless, and her wrist was bloody, he said: “My love is the biggest capital of your arrogance and domineering!”

- Description from novelbuddy

Chen Mo a game designer got sent to a parallel world with advance technology but undeveloped game concepts.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.