How come the celestial technique I stole is so powerful?! - Chapter 240: The True Foundation of He Jiang

On the day of her marriage, Li Xiaolu was forced to watch her beloved younger sister marry her fiancé.

Betrayed by her love, her family, she was killed. However, she is reborn to three years before where it all began. She aims to take her revenge while also fulfilling her dreams at the same time.

Still one day, she falls for her sister's underhanded schemes where she meets the domineering CEO.

Zhe Han: "You dare to run away after sleeping with me?"

Li Xiaolu: "Umm... can you consider it a one night stand?"

Zhe Han: "Take responsibility."

Li Xiaolu: "What???"

Zhe Han: "Marry me.."

Li Xiaolu: "....."

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All the credit goes to the original owner.

With her superb skills, Tang Ming has countless peach blossoms from small to large.

There is a President willing to contract fish ponds for her.

There are also overbearing male masters who are willing to make a fortune for her.

School grass keeps his body like jade for her, infatuated male leads are countless.

There are countless peach blossom debts, and the whole body is written with slag from top to bottom.

Until she encountered the system.

From then on, the road to ending slag, is getting farther and farther away…….

*School grass means the hottest guy in school.

- Description from Novelupdates

Born as a lowly goblin, Leav refused to accept fate’s cruelty. Through sheer will and tactical brilliance, he clawed his way up—evolving, battling, and commanding monsters who once saw him as nothing. But power comes at a cost. As war rages and enemies lurk in shadows, Leav faces betrayal, brutal losses, and the cold truth—strength alone won’t forge a kingdom. With ancient magic resurfacing and rival factions closing in, can he rise above mere survival and claim true dominion? In a world where the strong rule and the weak perish, Leav must choose: remain a pawn or become a king.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.