Humanity's Great Sage - Chapter 384: Teleportation Ward

Nagi who was summoned to another world acquired the「Skill Structure」skill.

Nagi felt the hints of black job from the king’s request 「To defeat the devil king」. He leaves the castle and starts his journey with a slave girl.

The small demon girl Cecyl, the melee-fighter beast girl Rita , Aine the onee-chan maid, Regii the cursed sword.

Rafiria the warm and fluffy elf and Iris the sea dragon shrine maiden.

Nagi rewrites the girls’ skills and made them into 「cheat characters」one after another.

The Baron’s daughter, Alessandra Barrett, has worn a mask from a young age due to an injury. Many say if you were to see the face behind the mask, you would be cursed and die soon afterward. She is seen as a ghost, avoided by all who visit the baron’s home until she becomes the Duke’s wife.

No one could understand why the Duke would pick such a wife. Did he wish to die?

What would become of the girl who once hid in the shadows but now had the spotlight on her as the Duke’s masked wife?

What would everyone say if they were to learn the truth that she was in a contracted marriage with the Duke?

Sixty Years ago, one middle aged man brought a Qilin that looked like a pug and a mandarin duck that looked exactly like a duck, walking into the Imperial City of the Central Plains for the first time.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.