I Don’t Want This Reincarnation - Chapter 264

Kazekaze thought he was just an ordinary kid in the world of Naruto.- No Sharingan.- No Byakugan.- No Ōtsutsuki bloodline.Just a normal seven-year-old trying to survive in a ninja-filled world.That was… until his father brought him back to Konoha.And he discovered the terrifying truth:* Senju Hashirama, the God of Shinobi, is his grandfather!* Senju Tobirama, the Creator of Ninjutsu, is his great-uncle!With the blood of legends flowing through his veins, Kazekaze must rise to become a shinobi worthy of his lineage.A Genius Among Monsters—But Can He Surpass Them?

The strangest fate, the most exciting mind games, the cruelest survival battle, the craziest fantasy, the most bizarre truth… The first is here to battle for another ten years!

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The Empire stands triumphant.

For twenty years the Dread Empress has ruled over the lands that were once the Kingdom of Callow, but behind the scenes of this dawning golden age threats to the crown are rising. The nobles of the Wasteland, denied the power they crave, weave their plots behind pleasant smiles. In the north the Forever King eyes the ever-expanding borders of the Empire and ponders war. The greatest danger lies to the west, where the First Prince of Procer has finally claimed her throne: her people sundered, she wonders if a crusade might not be the way to secure her reign. Yet none of this matters, for in the heart of the conquered lands the most dangerous man alive sat across an orphan girl and offered her a knife.

Her name is Catherine Foundling, and she has a plan.

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A Practical Guide to Evil is a fantasy series about a young girl named Catherine Foundling making her way through the world – though, in a departure from the norm, not on the side of the heroes. Is there such a thing as doing bad things for good reasons, or is she just rationalizing her desire for control? Good and Evil are tricky concepts, and the more power you get the blurrier the lines between them become.

Gu Shishi, a master of traditional Chinese painting, transmigrated into the role of a cannon fodder in a cliché novel.