I Kidnapped the Hero's Women - Chapter 205: Tue. End of vacation (1)

“I’ve been possessed into the controversial makjang drama ‘Gwangin’ (The Lunatic). Of all roles, I’m the omega secretary to an alpha with omega-phobia. It’s hard enough hiding my identity, but I’m also in charge of all sorts of annoying tasks: managing the protagonist’s diet, wardrobe, and house; coaxing and soothing the beta he loves. My goal is to survive until the ending where the protagonist meets the strange beta who thinks even his obsession is love, leading to a happy ending… I think I smell an omega somewhere.’ ‘That’s… impossible.’ If I speak carelessly, I die. If I mess up my work, I die. If I run away, I die. And if the fact that I’m an omega is revealed… I really die. ‘Right. It shouldn’t be possible, but that’s why I feel so f*cking awful, Secretary Kim.’ Will I be able to make it back alive…?”

Enter the Immortal Sect, cultivate the Immortal Dao.Others practice diligently and arduously, but Li Yunjing masters everything in one go, his comprehension defying the heavens.Understand the thunder magic, embark on the path of immortality.Practice the thunder magic, and take on the heavenly calamity.

Akira Tsukihara was a romance author who despised love. Though she wrote best-selling novels filled with idealistic romance, she harbored nothing but contempt for the genre and the readers who adored it. Love, in her eyes, was a lie—an illusion that blinded people from the true forces of the world: power, betrayal, and ambition. One night, in a fit of frustration, she cursed love itself... and woke up trapped inside one of her own stories.Reborn as Aira, a nameless peasant girl in the Kingdom of Seraphis—a world she had meticulously crafted—Akira quickly realizes that reincarnation isn’t the fantasy dream she had written about. She isn’t a noble, a princess, or a heroine blessed with beauty and power. She is a nobody. A commoner, struggling to survive in the harsh realities of the medieval world she had once designed as a mere backdrop for her grand romances.As Aira, she faces starvation, endless labor, and the crushing weight of insignificance. But Akira was never one to accept fate. If she couldn’t escape this world, she would rewrite the story on her own terms. She would carve her name into history—not as the lovestruck heroine of a cliché romance, but as the mastermind who would bend the world to her will.In a land ruled by noble bloodlines and political schemes, where the romance tropes she once loathed play out before her eyes, Aira sets her sights on one goal: destroying the very ideals of love that had imprisoned her in this wretched world.Even if it means becoming the villain of her own story.

In the City of Crime, one law stands above them all: Only the strongest can live.