I Reincarnated For Nothing - Chapter 195 - Fragment of the Demonic God (3)

She was once a globally renowned actress, but was imprisoned for being framed. After being released from prison, she faced huge contractual penalties and retaliation from others. She decided to reclaim her place in the ever-changing showbiz with her strength and wisdom to prove her ability and innocence.She tried her utmost to evade him, yet their fates remained intertwined. He said, “You can't hug me and give up on me!” “You want me to forgive you? Sure, unless I die!” She replied.

Dual cultivation and apocalypse—words that mix like oil and water. There's nothing charming about seducing feral women on the road.

However, when Kaze Lexicon, the emperor of the Immortal Plane, got transmigrated into the past, he refused to give up his debaucherous ways—apocalypse or otherwise.

Armed with the knowledge of the future and an encyclopedia of overpowered cultivation techniques, he immediately set forth to obtain resources and build a lavish settlement to live a comfortable life dual cultivating in the apocalypse.

However, while it's obscenely protected and powerful, he finds himself in another predicament. The cultivators farming humans for their war, and the desperate humans, become enemies far more dangerous than the zombies and monsters that afflict humanity.

Join Kaze as he rebuilds his reputation from a bullied weeb, obtains wealth, builds power, starts a faction, makes lemonade, trains his people, protects his past lovers, conquers settlements, and fights humans, monsters, and cultivators, all for the sake of two obscene goals: enjoying life and building an army of engineers to bring modern technology to the higher planes.

Riku Barusak is a hard-working child. Despite possessing an innate superior physical strength and having withstood harsh training she fails to unlock her talent as a spiritualist. The failure results in her being thrown away by her family.

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.