I'm the Villainess in the Apocalypse - Chapter 12 - . Interaction (2)

There are a lot of things wrong with Liv Brodbeck. She’s too small, for one thing. When she works in the castle kitchens with her mother, she can’t carry a sack of flour or roll a keg of ale. Baron Summerset’s chirurgeon says that she has brittle bones, so she isn’t allowed to wrestle or sword fight with the other children. Even sledding downhill in the winter brings the risk of breaking an arm or a leg if she falls. Everyone says that she ruined her mother’s life when she was born. Not when they think Liv is in the room, of course, but she overhears all the same. In the kitchen of a less kind lord, a cook bearing a bastard child would have been more than cause enough for both of them to be out on the street. No, a child like Liv doesn’t have much hope. But when she accidentally unleashes a surge of wild magic, she takes her first step on a journey which will lead her from the kitchens of Castle Whitehill, to the cold palaces of the Eld, and beyond, to the graves of gods... What to Expect: - MC starts off very weak, with a lot disadvantages - not just physically weak, but also vulnerable in a socio-economic sense. She has talents, but it is going to take time to develop them. I want to give this process room to breathe, so I hope you enjoy long-term progression. - The MC begins the story as a child. As she grows up, she will have relationships that I intend to be appropriate for her stages of life, BUT THERE WILL BE NO SEXUAL RELATIONSHIPS UNTIL SHE IS AN ADULT. Expect eventual teenage drama progressing into more adult relationships. - There is action, but it is not constant action, and it will again be appropriate for the MCs development. As a child, she will be challenged by child things, and as she grows into power the scale of threats will increase.

Alzi had a promising future. At seventeen, the Goddesses blessed her with a life affinity—a rarity for commoners in a small village; a few days before the class-choosing ceremony, her Mother gets sick. After using her little mana to keep her alive, she runs to the capital to find a true healer. With no money, she sells herself into slavery for a decade. The decade is almost up, but she has been turned into a broodmare for the nobles and faces a sale to keep her enslavement going.

“Go Yohan, you really are a terrible bastard.”“I can’t help it. Bullying is more fun than being bullied.”Despite his outer appearance of a kind model student, Kang Jun was filled to the brim with an inferiority complex.As he advanced into his second year, he grew closer to Go Yohan, who was in the same class as him.“I’ll treat you especially different.”At some point, as if it were only natural, Go Yohan claimed his seat at the very summit of the pyramid inside the school.He, whose second nature seemed to be ignoring and suppressing others, showed interest in Kang Jun.Kang Jun, who was subtly ignored by his friends for being weak, didn’t dislike Go Yohan’s interest, but…Eighteen, the period where one’s pride took the lead and held fear of crossing the line.Kang Jun had to make a choice to survive.A very wise choice.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.