Immortality Starts From Making Money. - Chapter 153: Qiu Yan, Broken Moon Consortium.

I shall see the end of this story.It was the dream of every reader to travel to the world of their favourite novel even if it was a fleeting thought.But that was impossible. A work of fiction will simply remain a story. But it was different for our MC.He suddenly found himself in the world of his favourite webnovel. The genre of his life completely changed.The new world was a world filled with destruction and death was lingering at every corner.He was the last reader and he must survive in this forsaken world.

He was persuaded into playing the VRMMO 「Trailblazer」 or TB for short by his cheerful childhood friend Miyu.

But Wataru faced Miyu, who was full of motivation and said this.

「Then, I’ll be the rearguard. Shinto priest? I’ll take this one」

「What!? You are not going to fight next to me!? And you call yourself a man!?」

For some time she would become one of the top players and start getting called Hero.

So Wataru had to deal with being an extra.

But, during a certain PvP event, a strange nickname was attached to Wataru.

That, he was actually the 「Hero’s true self」.

Transmigrated into the book as a cannon fodder female supporting role, the ex-wife of the male lead who hasn't divorced yet. Gu Fuqiao just wants to say no!

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.