Marked Ones: Advent of the Demon Prince - Chapter 60: Camp Assault [Part 3]

After an accidental death, in order to continue to live, Gu Bai had to choose to go through various wonderful books to complete tasks.

Every time he became a variety of small cannon fodder inside the story, Gu Bai’s code of conduct when completing task is – by all means, don’t be inferior, don’t be shameless, don’t be upright… hold on to a golden thigh.

… N times after transmigrating

Cannon fodder: (angry contempt) … You’re already so powerful, why are you still shamelessly holding on to a golden thigh to deal with us!?

Gu Bai: (deadpan) That… holding and holding… got used to it…

- Description from Novelupdates

Sometimes, as we go about with our lives, we all happen to think of one specific thought at least once.

This is a story about Sylvia and Fred.
I think young people should be high-spirited and wanton.
Everyone is growing up, but even though things are changing, those young people with love still shine, illuminating the galaxy and the world.
There is one sentence I agree with:
The Weasley Twins are the most Gryffindor boys I’ve ever seen.
They are brave and free.
I long for the light of twins, so I have this story.
Who wouldn’t want to be incarcerated at Hogwarts Nightcrawler with the Weasleys?
Don’t argue, you think.
This is the story of a silly college student crossing hp
I’m here to raise my head to guarantee a happy ending! Save all the troubles! No worries! What is it?
There are many private settings, all ooc belong to me.
I hope you love Little Sill as much as I do.

Content tags: Anglo-American derivation Soul transformation Traveling through time and space Traveling through books
Search keywords: Protagonist: Sylvia Tonks, Fred Weasley ┃ Supporting roles: George Weasley, Hoddle Waughlin, Draco Malfoy, HP everyone ┃ Others:

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.