MTL - I Am Immortal In The Cultivation World - Chapter 406 Make an example of others

Traveling through the world of cultivating immortals, Su Yu became a collateral child of an ordinary cultivating family, with nothing but handsomeness, mediocre cultivation talent, and mediocre life experience.

Fortunately, Su Yu brought the game proficiency panel he played in his previous life, ignoring all restrictions such as spiritual root comprehension, as long as he practiced from nine to five to accumulate proficiency, he could improve his strength.

If you live ten thousand years, you can become a fairy or a ancestor!

The Tianjiao of the Zongmen and the powerful ancestors are just passing away, only cultivating immortals… oh no, only the proficiency is eternal!

- Description from novelbuddy

Zhen Lang and Gu Jing have been childhood enemies for over twenty years and pretend best friends in front of their parents. Zhen Lang and Gu Jing’s source of happiness is defaming their enemy (each other) at every opportunity, dreading the day their parents’ match-making dream comes true.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.