MTL - Low Key Star - Chapter 296 【296】

“I wished them immortality but my thirst for redemption caused them suffering, I gave them eternity yet brought the end of the world” Ethan mumbled as he dragged himself from the ruins of the Golden throne. “You should understand me, human, what I wanted, was eternal happiness...yet I received torments from my own wish” “You call me a human, aren’t you the same?” Replied a faint voice. Ethan laughed in response before saying “ Human? I am beyond humanity, I am...a God!” _____ The world was no longer what it once used to be. A thousand years after the birth of Nexulytes, people who were able to wield Nexus energy and awakened miraculous talents with unimaginable abilities, the earth had fallen to the brink of near extinction with just less than twenty percent of its population left. The Dreamscape, also known as the reflection of the real world, was a space that was shockingly similar to the real world and copied every small detail of the real world. Their only difference was that the Dreamscape was not a place where humans could move about easily as even the strongest Nexulyte could die without knowing how. Years after the appearance of the dreamscape and multiple gateways spammed all across earth, giving the horrors of the dreamscape access to the real world; they unleashed chaos and a hundred years of bloody battle were the consequences of humanity’s late response. In a world where those with talents were worshiped and respected, a boy who hated Nexulytes and wished all of them could die ended up becoming one himself. Not only did he become what he hated, but he awakened a talent that he had never heard of or known about. How was he supposed to survive the fusion with a seemingly useless talent or was he ever going to find out the secret of his talent and the birth of the dreamscape?

A Deadly Secret, also translated as Requiem of Ling Sing and Secret of the Linked Cities, is a wuxia novel by Jin Yong (Louis Cha). It was first published in the magazine Southeast Asia Weekly (東南亞周刊) and the Hong Kong newspaper Ming Pao in 1963. Its original Chinese title was Su Xin Jian before Jin Yong changed it to Lian Cheng Jue. The story revolves around the adventures of the protagonist Di Yun, an ordinary young peasant, who is imprisoned after being framed. In his quest for vengeance, he accidentally acquires the Liancheng Swordplay manual (連城劍谱), an ancient artifact not only prized for the skills detailed inside, but also for containing a secret leading to a treasure.

Heartbreak was the worst thing Kanata thought he’d face this week. He was wrong.When the world begins to rot and the dead rise, survival becomes the only thing that matters. Trapped in a school turned slaughterhouse, Kanata finds himself side by side with unexpected allies—his sharp-tongued childhood friend, a fierce upperclassman with a blade, and a dangerously calm teacher with a mysterious past.With betrayal still fresh and the world falling apart, Kanata isn’t looking to be a hero. He just wants to stay alive.But in the apocalypse… staying alive is the hardest part.

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.