MTL - My Fury Will Burn The Heavens - Chapter 14 Jiang Henshui

During the Chunin Exams, a mysterious screen hijacks Konoha's arena, broadcasting the shinobi world's most shocking secrets, pivotal future events, and utterly embarrassing moments, sending Kages, legends, and genin alike into a hilarious frenzy.The air crackles with anticipation during Konoha's Chunin Exams. Genin face off, crowds roar... and then, BAM!A gigantic projection screen materializes out of thin air above the packed arena, silencing everyone. This is not on the schedule. Before anyone can react, it flickers to life, broadcasting scenes that should never see the light of day.Get ready for reactions that rewrite history (and dignity):Mei Terumi (Fifth Mizukage): *Eyes widening, then narrowing suspiciously*: “Hold on... Madara Uchiha's 'invincible' fire style... extinguished by a Water Barrier? Is this some kind of advanced Genjutsu prank, or did someone seriously just splash water on the apocalypse?”Ōnoki (Third Tsuchikage): *Clutching his lower back*: “My aching joints! And the screen says I'm going to willingly ride atop the Fourth Raikage like some kind of... decrepit flying squirrel?! Preposterous! My back couldn't take that speed!”A (Fourth Raikage): *Face turning purple, with veins popping* :“WHO IS RESPONSIBLE FOR THIS?! STOP LOOPING THE FOOTAGE OF MINATO MAKING BEE LOOK LIKE A FOOL! TURN IT OFF! BEE, IF YOU START RAPPING TO THIS, I SWEAR I'LL LARIAT YOU INTO NEXT WEEK!”(Nearby, Killer Bee subtly starts beatboxing under his breath, yo!)Hiruzen Sarutobi (Third Hokage): *Sweating profusely as Kushina Uzumaki glares daggers from the stands, holding a spectral frying pan*: “K-Kushina, my dear! That scene where Naruto painted the Hokage Monument... again... it was taken completely out of context! He was... expressing youthful exuberance! Yes! And I definitely didn't bribe him with ramen to clean it up! Please, listen to reason... and put the ethereal kitchenware down?”Danzō Shimura: *Eyes colder than ice*: “Exposing Root operations? Revealing my contingency plans... or lack thereof in that particular future? Unacceptable. This screen poses a threat to Konoha's stability. It must be... Eliminated Permanently.” (He discreetly signals an Anbu who immediately bowed).Uchiha Madara (From an undisclosed location, sensing a disturbance in the Force... err, Chakra) : “An unseen hand manipulating the narrative? Revealing destiny's secrets before their time? Insolence! Who dares play director with my grand stage?!”From Kage summits gone wrong to legendary shinobi's secret guilty pleasures (did Jiraiya really wear that?), the screen reveals all.The entire shinobi world watches, mouths agape. Hidden truths are dragged into the sunlight, future tragedies are foreshadowed, alliances tremble, and enemies start taking very detailed notes.One question burns hotter than Amaterasu: 'Who is behind this chaotic broadcast, and what earth-shattering secret will they expose next.'

Theatrical regression life of an old-fashioned villain (kkondae) who recalled his past life.

“There’s nothing I wouldn’t do for a better life.”

——

Survival in the ‘Otherworld’; a place where only the insane can set foot in.

If I fail to seduce all the heroines of this s*xy game, I’ll die.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.