MTL - No Bounds for the President’s Spoiling - Chapter 54 Drunk

In 2180, the last survivor of the human race returns to Earth.

In 2025, a 3rd generation Chaebol regains consciousness after being rendered a vegetable in a car accident.

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After transmigrating into a apocalyptic world, Yasin awakened a system that allowed him to travel between two timelines.He soon discovered an astonishing truth—women from both worlds were mysteriously linked.In the brutal apocalyptic world of 1993, they pledged their loyalty to him for survival.Yet, in the dazzling spotlight of 2006’s Hollywood, they remained legendary superstars.But the moment they saw him… they couldn’t stop herself from kneeling.

Crown Reylin loved three things; flames, fireworks, and bombs. He didn't spare any of these against those who insulted him due to his family. No, Crown Reylin wasn't born in a poor family. He was born into an outstanding family with every descendant prevailing in their industry! But as the first immersive game appeared on the market, Crown Reylin stepped in... to enjoy more of his hobby!

Flames, fireworks, and bombs! Empresses, the kings and their princesses, and many more people will feel them!

It was Reylin's time!

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.