MTL - Pharmacist of the Future - Chapter 113 End [1]

"I'm starting to think you're the scariest monster in here." - And that's just what her friends say about her.When Emil...

The story about a family's struggle to ensure that, above all else, their youngest escapes from the mines where he was born into slavery. Follow Alistar as he struggles through terror and tragedy, embarking on a road to discover himself and his heritage.

When a soul from twenty years later is reborn in a Chinese-American teenager, the world is different. In the face of this turbulent era, Guo Shouyun’s ambitions burst out like never before. Internet, war, subprime mortgage crisis, European debt crisis, he seized all the opportunities to create wealth for himself, and after 20 years of painstaking efforts, he created the largest capital empire in the 21st century!

Conspiracy theorists: The five consortiums of Guo, Rockefeller, Morgan, DuPont, and Mellon controlled the United States.

Time Magazine: Son of God, the greatest capitalist of the 21st century!

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Following “Empire of the Far East”, “Treasure Eye” and “Taoyuan Villa”, this is the fourth novel by Dongren. Welcome to pay attention!

- Description from novelbuddy

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.