MTL - Pirate in Naruto World - v4 Chapter 249 : Come to the shampoo islands

A replica of Marquis Kieran Vale, the son of the Marchioness of Vale, who she deemed a failure. That was all she was. No, she was now referred to as “he.” At least until she met Claude Del Ihar.

She, a renowned assassin of the 21st century, actually crossed over to become Su Manor’s most useless good-for-nothing Fourth Miss.

He, Jin Empire’s imperial highness, was an emotionless overbearing demonic tyrant with unrivaled talent.

Everyone knew that she was idiotic and good-for-nothing and bullied her as they pleased. But only he, the overbearing tyrant with the discerning eye, wouldn’t let go of her even if his life depended on it.

For the time being, let’s just see how the stubborn versus stubborn clash and play out in this good show of the chaser and the chased.

- Description from novelupdates

[COMPLETE] Can a royal Romeo and Juliet find their happy ending?

Ayleth, Princess of Zenithra, is secretly trained in hand-to-hand combat, and collects swear words she doesn't know how to use. During the Festival of Peace, in which every royal son on the continent will be at the castle for a month, she is instructed by her parents to find a husband. Yet, Ayleth has never even been kissed—until the very first ball, when she meets the man in the Lion mask.

Etan is a seasoned warrior, and the Prince of Summitras. He attends the Festival hoping to find a powerful wife who will help him conquer the dark sorcery of their bloodsworn enemies, the Kingdom of Zenithra. But at the very first ball, he discovers the masked woman who captures his heart is the Heir to the evil empire.

Ayleth and Etan face an impossible battle. Will their love survive? Or will their parents' dark dealings keep them apart forever?

[Mature content. No sexual violence.]

******

“You…” She stepped back. Then back again, her mouth dropped open. “You… You cannot be…”

“I am,” Etan said, and his hair raked back as he pushed his mask off his handsome face. So handsome her heart raced.

His hair was ebony black, his skin a warm brown that threatened to fade in in the winter months. He stared at her with glittering green eyes, over high cheekbones and a noble nose, his jaw tight and shadowed this late in the day. His chin was high over the pillar of his neck that she’d just touched with its hard lines and steel strength, so different to her own. And his chest... She gasped and covered her eyes. She’d humiliated herself revealing her stupid, childish curiosity.

“No, Ayleth. This changes nothing.”

“How can you say that? It changes everything!” She was horrified to realize she was crying.

“Ayleth, please.” His voice cracked on the plea and she stared at him, shoving her mask up and off, despite how it would pull her hair out of the beautiful twist the maid had managed for her.

His eyes locked on hers and she couldn’t think. She couldn’t breathe.

She had met her One. And he was the son of her bloodsworn enemy.

She stared at him as he stepped forward again, offering both hands, palm up. “Touch me,” he whispered. “Hold my hands. This is real, Ayleth. I don’t know how it happened, but this is real. Please don’t deny it.”

She couldn’t resist. She raised a trembling hand to his cheek, letting her palm catch on the scruff of his jaw. He blew out a breath and put his hand over hers, and that jolt that happened whenever they touched shivered through her again.

“Please, Ayleth.”

“I cannot deny it,” she whispered.

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.