PREVIEW

... t the end of the bed, Ueda Masahiro sat on the chair with his arms in his arms, his face sinking like water.

  Beside him, the bamboo knife was leaning against the wall.

   Outside the ward, nurses and idlers often pass by, looking at the scene inside.

   Kinoshita Xiufeng's face was distorted because he was holding back his laughter, and he was curious about the tacit understanding between Tao Dalang and Ueda Masahiro.

  For example, maybe he and Tao Dalang have reac ...

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