MTL - The Immortal Taoist - v5 Chapter 665 last step

Sun Hao traveled to a world of cultivating immortals. Unable to cultivate, he practices the guqin, chess, calligraphy, poetry, wine, and flower tea are all in the supreme realm. He didn’t know: The pet on his farm was the Nine Heavens God Luan. The lotus in the pond is a peerless demon. The guard outside the door is the ruler of Thunder Tribulation. Later, he discovered: The swordsman who picked up his broken hatchet became the peerless generation of swordsman; the scholar who often listened to him to chant became the ancestor of Buddhism; the girl who came to learn to play the guqin with him became the supreme demon clan. … Sun Hao sat on the throne of Heavenly Emperor, with a shocked expression on his face: Am I a Dao Ancestor? I take the heaven and the earth as the disc and all beings as my sons, and create a shocking situation? I do not know how?

A question I often ask myself, is the human desire for self-destruction never going away?

Travel through the endless apocalypse world, and find the answer behind every kind of demise!

- Description from novelbuddy

Gu Shishi, a master of traditional Chinese painting, transmigrated into the role of a cannon fodder in a cliché novel.

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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