MTL - The Villain’s Face Slapping Counterattack - Chapter 114 12.01丨

“Legend had it that in the deepest part of the oldest galaxy, there was a door as red as blood and fire.

Legends and myths, darkness and light, countless stories passed through this old door.

The Door of Constellation that overlooked everything would warn the sky and earth, sending darkness back to where it belonged.”

When he woke up, Zhou Sui became a low-level Qi refiner in the world of immortality. Fortunately, he obtained the most precious Gu god bowl, which can refine various Gu insects.

Refining the Spring and Autumn Gu can prolong life and make you immortal.

The refining golden cicada Gu can give birth to dead people, flesh and white bones.

Refining the Dragon Elephant Gu to gain the power of the Dragon Elephant, the body of the Dragon Elephant, and the indestructibility of the King Kong

But the Gu he refined for the first time was the Infatuation Gu.

From then on, he discovered a bright road to cultivation.

The years change, the mountains and rivers change, but I am the eternal Zhou family.

- Description from novelbuddy

When Jiang Ming woke up, he possessed the power of immortality.

Facing the cruel and dangerous world of cultivating immortals, Jiang Ming realized his own path of cultivation.

That is, only practicing forbidden techniques!

Blood-burning knife technique, one year of life lost for each cut… Eat me ten times first!

A holy body for a hundred eons, three levels for one day…refined to one hundred thousand levels!

The Heavenly Reaper Technique, if you use it, you will be backlashed by the destiny… Let me first calculate the color of the saint’s clothes tomorrow.

To break the delusion, you need to look directly at the indescribable things…

Birth and death, being scoured by the secluded capital Huangquan every day…

Practicing and practicing… Jiang Ming discovered that his forbidden technique was already invincible in the world!

- Description from novelbuddy

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.