MTL - Trafford’s Trading Club - Chapter 2912 The Ninth of the Great Sacrifice: Raging

I have given up power that can make the strongest of men tremble. I bore scars very few can imagine; loved women, very few had the gall to talk; and tread paths with chaosfiends.

“And I'm still standing.”

- - -

Gale was summoned into a mysterious world of magic and monsters for no particular reason. Thrown into squabbles of beings vastly higher than him, Gale strived to make a place for himself in the vain dream of immortality and a better world.

That was six years ago.

Beaten and battered from years of brutal war, Gale finally had enough and resolved to start over a new peaceful life in a totally unremarkable town with his trustworthy companion, Vale. Give up the weapon of slaughter and take up a hoe? That seemed like a fine deal to him.

Unfortunately, the valley wasn't as unremarkable as he thought it to be. Dictatorial governing bodies, suspicious practitioners, an exceedingly unwelcoming guest, and a secret that would change the entire world, all impeded his peaceful life. Gale will need all his mental stability to keep his temper in check, lest he brutalises his way out of trouble. Again.

In an unfortunate twist of fate, Adrian, a man from the 21st century, is accidentally killed by the Goddess of Fate. As recompense for her mistake, she grants Adrian a second chance at life in an alternate world. Upon awakening, Adrian is startled to find himself surrounded by a setting reminiscent of eighteenth-century Europe. It quickly becomes apparent to him that he has been reincarnated as none other than Napoleon Bonaparte, the indomitable figure who once ruled over Europe for two tumultuous decades.

Disclaimer:

This work of fiction explores a speculative narrative in which the protagonist is reborn as Napoleon Bonaparte and embarks on a journey to power, encountering both historical and fictional characters. While the story draws inspiration from the life and historical context of Napoleon Bonaparte, it is important to note that the events, interactions, and outcomes portrayed in this work are entirely fictional and should not be interpreted as a reflection of real historical events.

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