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... he actors and all the spectators.

The young man wanting to commit suicide, the landlord desperately trying to stop him, the parrot that only knew how to mimic, three roles converged in one person, yet it did not seem awkward.

The reason to live on was more like Han Fei’s inner monologue.

On one side hope, on the other despair, they argued every day, repeating in endless cycles.

Han Fei memorized the lines of the three characters thoroughly, switching between diffe ...

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