Not-So an Extra - Chapter 50 : It Begins [3]

I possessed a minor character who marries the prince. I’m not thrilled about it. The prince is a scumbag who flirts with the heroine despite being engaged and eventually gets defeated by the original male lead. In the epilogue, all he does is apologize to his fiancée and marry her, with barely a line to his name. Well, his personality is twisted, but at least he’s handsome. And since he’s the third prince, he doesn’t have to shoulder the burden of ruling the kingdom. That’s decent husband material, I suppose. Go ahead, make a fool of yourself. You’re going to marry me anyway. I’ll just sit back and enjoy watching your embarrassing history unfold. “Doris Redfield. Don’t expect me to ask you to dance at this ball. Maybe not at the next one either. Or the one after that.” “Yes, Your Highness. As you wish.” “Even though we’re engaged… wait, what?” “It’s just a joke proposal our parents once tossed around, isn’t it? You don’t need to take it seriously, Your Highness. I’m really fine with it.” “…Is that so? Yes, that’s… fine, right?” Why are you panicking, prince? You started spouting nonsense first. Where’s your conscience? But then, this guy really has the audacity to ask something outrageous. “…Do you, perhaps, have another man?” The guy who flirted with the original heroine is saying this now? Calm down. He’ll regret this later. All I need to do is remain a devoted fiancée until then. “What are you talking about? A woman like me… plain, not beautiful, with a gloomy personality, what man would even—” “What? Who dared to say that about you?” …You did, in the original story. This guy is acting weird. But he’s not the only problem. “My dear little sister Doris, that dress you’re wearing today is dreadful. No wonder there are rumors His Highness has abandoned you.” “Well, it can’t be helped. His Highness is too good for me anyway.” “…Hold on. Too good? Who said that? Wait, were you really dumped?” The original villainess, who also happens to be my older sister, Natalie, is suddenly interested in my love life. Why are all the original tr*shy characters growling at each other over me now?!

I didn’t know this was a world inside a game. And I didn’t know my master was a mid-boss. “No way… wasn’t she supposed to self-destruct because of her personality?!” …I’m sorry.

(female respect + quick travel + save the hero + one-to-one sweet pet)

If Su Qiruo transmigrated into a book, she transmigrated into a Novel of Empresses that she was reading.

In the book, women are masters of the outside world, and they are appointed as marquises to pay homage to their prime ministers. This is indeed a cool text in the Shuang text.

I wanted to achieve my own career happily and freely, regardless of love affairs.

But when the poor little child knelt down in front of her humbly and called out: “My wife…”

Su Qiruo still couldn’t hold back and rushed forward.

That’s all, it’s good to bring a tow bottle.

It’s okay to pet and be happy.

- Description from novelbuddy

Mu Wanwan transmigrated into a novel.

And became a cannon fodder side character used to counteract the disabled tyrant’s ill fortune.

The tyrant is a huge villain. He challenged the leader of the seven tribes alone and had been beaten into a vegetative state.

The original character lived in the tyrant’s territory. Her parents, who were greedy for power, randomly made came up with compatible bazi* and sent their daughter into the tyrant’s manor, turning her into a wife to ward off ill luck.

Also sent off together with her was a little white flower maidservant, who was the heroine of the story.

The original character and the heroine agreed to escape together—but the original character was stabbed to death that very night.

And just as they were about to implement their escape plan, she transmigrated over

Mu Wanwan: “…”

What a horrible script!!

In order to live, she had to do her best to take care of the disabled, comatose dragon. Three years later, she actually turned the tragic story into a sickeningly sweet love story.

Note: *bazi: A Chinese astrological concept that a person’s destiny or fate can be divined by the two sexagenary cycle characters assigned to their birth year, month, day, and hour.