Protect Our Patriarch - Chapter 21Book 4: : Emperor Long Chang makes his appearance! Lingbao Qianqiu debuts

Various monsters came out from mysterious gates that appeared all over the world. Along with this incident, humans also gained power and were called hunters.

Radmilo Laiv is a hunter with the power to control time. He spent his life serving the world government and becoming a hero. However, he was killed because his power was considered a threat to the government.

It was a stroke of luck that Radmilo could return to the past because of his powers. In this life, he doesn’t want to be a hero anymore. Should he play the evil role and become a villain?

In a world where life energy fuels martial prowess, Shen Yifan, with a mere mortal lifespan of a hundred years, finds solace in slaying demons to extend his own vitality. Amidst the chaos of a realm teeming with malevolence, he brandishes his blade, striking terror into the hearts of creatures who have roamed the earth for centuries! Yet, amidst his valiant exploits, Shen Yifan sometimes ponders, why does his lifespan seem to dwindle faster with each use of his powers? Sheathing his sword, he gazes skyward, hearing tales of the divine palace in the heavens, where immortal beings dwell, having weathered endless eons. Embarking on a celestial journey, he seeks to beseech the gods for a loan of a million years, to pave his path towards eternal life.

In the last life, Tang Mo accidentally lost his space jade pendant when the apocalypse opened, and lost his biggest golden finger. Later, he practiced his abilities, lost his relatives, and was ostracized. He played a good hand of cards all his life. , and finally died in the mouth of the alien beast.

Opening his eyes again, Tang Mo was reborn and returned to the week before the end of the world, and all the tragedies have not happened yet! How will she seize the opportunity to walk out of her own path to become a doomsday powerhouse?

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- Description from novelbuddy

Dual Cultivation is an art. The more you focus on doing the art, the worse it becomes. Only when doing it becomes part of the art itself, does one truly experience it to its fullest.