Quick Transmigration: Goddess Of My Imagination - Chapter 711: The Contaminated Forest

Yang Zhengshan transmigrated and realized a super leap in age, going from a young man to a grandfather.Transferred from 28 years old to 38 years old and gained three sons, two daughters, two daughters-in-law, two grandsons, and a granddaughter, becoming the true head of the family.My family, my rules. Watch how Yang Zhengshan leads a farming household to prosperity and wealth.

After losing his job, Bai Liu became involved with an unstoppable horror live streaming game full of various monsters and players with killer intent.

Initially, everyone thought Bai Liu was just an ordinary person who strayed into the game.

Later, they realized it was this game that welcomed its god with victory and a laurel crown. It said to Bai Liu, “Welcome home.”

What is luck? Walk to pick up money? Buying a lottery ticket will win the jackpot?

Qin Yun picked up a copper coin and activated the wealth luck system.

“The balance has reached 10,000, and you can open a first-level fortune-gathering array every month. To open a second-level wealth-gathering array, you need a balance of 1 million…”

(The group has been established, group number: 614799090, interested book friends can join and discuss the plot together.)

- Description from novelbuddy

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.