Re-Awakening: I Ascend with a Legendary class - Chapter 334: Kexell the Cursed Vagabond (2)

A major event happened recently to the demonic sect – their powerful sect master suddenly went missing.

Everyone comforted each other: “Don’t worry, the sect master must be out pursuing fun, and so on.”

“Well, that makes sense.”

They waited.

Waited and waited.

Waited and waited.

Waited and… Everyone slammed the table: “We’ve waited so long! The sect master must have met with a mishap! Look for him!!” Numerous disciples therefore ran rumbling down the mountain.

On a certain day of the month, a certain sect master opened his eyes and thought in confusion: Hey, who am I?

- Description from Novelupdates

True Gods. Endless Divinities. Primordials. The Ancients. The Chaos. The Greater Chaos. The Infinite Realms.

Heaven. Hell. The Abyss. Purgatory. The Overvoid. The Greater Worlds. The Origin World. The Prime Verse. The Past, Present, Future.

Here. There. Everywhere. Nowhere.

“Why is it that, I cannot find any place that I truly belong? And who, or what... exactly am I, as a Mystique?”

Join our Enigma as he tries to find a place where he could belong, and fit in. While unveiling all the secrets and mysteries related to him, and his family.

George Sterling, once a successful lawyer turned actor, then turned magician, finds himself in dire straits as the rise of Artificial Intelligence takes away all his livelihoods. As he nears the end of his life, a family heirloom, a mysterious ring passed down from his father, transports him to an unfamiliar world seemingly distant from reality.

Upon awakening, George discovers a newfound opportunity that awaits him. Initially tasked with portraying the Wizard of Oz to survive, he delves into this new role. However, as he embraces his new identity, an even greater challenge lies ahead: he must venture into the realm of pretending to be a god.

This book uses characters and elements from L. Frank Baum's original Oz series which has entered the public domain and allows me to use them in my original book as long as I do not use the characters and elements from the adaptations that haven't entered the public domain.

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