Real Rich Daughter's Path Of Counterattack - Chapter 32 - Frightening the Teacher

She was the godly thief of the 24th century, yet she was reincarnated as a good-for-nothing idiot with no parents. Not only that, she had to bend her will according to her relatives’ mood. Idiot? Trash? Very well, sooner or later, she will show these group of silly earthlings what it means to be too late for regrets!

“Sometimes, secrets we can’t fathom crawl through the shadows of London.”The protagonist finds herself trapped in a horror VR game that was set in 19th-century London, a city teeming with crime. She wakes up in the body of Jane Osmond, the assistant to the cynical and socially awkward genius detective, Liam Moore.Her goal is simple: reach the game’s ending and return safely to the real world. However, as she and Liam unravel the mysteries of their cases, the game’s features gradually disappear, and the world, which should be mere data, feels disturbingly real.“Who am I?”To make matters worse, her memories of her real-life self start to fade, plunging Jane into shock.Then, she realizes one more unsettling truth: the gray eyes of Liam Moore, who is supposed to be just an NPC, are always fixed solely on her.

The Empire stands triumphant.

For twenty years the Dread Empress has ruled over the lands that were once the Kingdom of Callow, but behind the scenes of this dawning golden age threats to the crown are rising. The nobles of the Wasteland, denied the power they crave, weave their plots behind pleasant smiles. In the north the Forever King eyes the ever-expanding borders of the Empire and ponders war. The greatest danger lies to the west, where the First Prince of Procer has finally claimed her throne: her people sundered, she wonders if a crusade might not be the way to secure her reign. Yet none of this matters, for in the heart of the conquered lands the most dangerous man alive sat across an orphan girl and offered her a knife.

Her name is Catherine Foundling, and she has a plan.

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A Practical Guide to Evil is a fantasy series about a young girl named Catherine Foundling making her way through the world – though, in a departure from the norm, not on the side of the heroes. Is there such a thing as doing bad things for good reasons, or is she just rationalizing her desire for control? Good and Evil are tricky concepts, and the more power you get the blurrier the lines between them become.

The heroine I was rooting for was not chosen.

Then wouldn’t it be okay if I made her happy instead?The heroine I was rooting for was not chosen.

Then wouldn’t it be okay if I made her happy instead?