Real Rich Daughter's Path Of Counterattack - Chapter 60 - The Number One Thug

Ark travels to a world of cultivating immortals where men are inferior to women.

In this world, the uprights are women, the villains are women, the cultivators are women, and even the creator gods who created the world are women. ?

As a pretty boy who is coveted everywhere, Fang Zhou is under a lot of pressure.

Girls want to play with him, but also want to catch him back to play.

For the sake of his own life, Fang Zhou had no choice but to turn into a steel hunk and resist to the end. ?

“Go away, that stinky woman, don’t disturb my cultivation!”

………………

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- Description from novelbuddy

After Wang Mang died, he turned into a giant python, evolving crazily!

With the help of his family, he is getting bigger and bigger!

From the first few meters, tens of meters, to hundreds of meters!

From the Burmese python, to the Titan python, to the deep sea python!

When Wang Mang’s size reached hundreds of meters, the earth’s catastrophe came…

- Description from novelbuddy

As a fiery young shrew, Xu Weilai was confident that no one would be able to resist her charms. However, time and again, she was thwarted by Gu Yu.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.