Seoul Station’s Necromancer - Chapter 186 - Last Holy Item (2)

Every human on Earth was transformed into a summoned monster and was summoned to another world.

Special police officer Li Yu was reborn on the body of a little girl who was abused to death by her fiance’s family in Dayong Dynasty after saving people and sacrificed. Special police officer Li Yu was reborn as Li Yu in ancient times.

In my hometown, the former fiance’s family took back the property left by the original owner’s father, smashed and countered the murders of the Zhang family again and again, and rescued the scholar in the next village when he went hunting in the mountains.

When the wind and water came up, the sudden locust plague was followed by a disaster of war…

- Description from novelbuddy

Molitia Clemence was born sickly.

She forgot to cover herself with a blanket and caught a cold. She woke up next to her husband after 10 days just because of a slight cold.

Molitia barely survived between the thin threads of life and death. When she opened her eyes, she noticed that her husband was somehow acting differently than usual…?!

***

“Have you eaten?” (Husband)

“Yes.” (Molitia)

“This is the belly of a person who ate?” (Husband)

He frowned as he stroked her flat lower abdomen. He held her wrist carefully, as if it would break. His voice rose.

“Why is your wrist so thin? Are you even human?” (Husband)

“That’s…” (Molitia)

“Butler!” (Husband)

The butler rushed to his angry voice, fidgeting with his wrists.

“Get me food for my wife to eat. Something that will help her stay healthy. Anything is fine.” (Husband)

Molitia’s mouth opened at her husband’s words, but no sound came out. ‘I just had a meal?’

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.