Spirit Vessel - Chapter 51: Clay Buddha

Yeho is a distant relative to a king in a small kingdom. Even though he is a distant relative, his house was very poor, and his mother was addicted to gambling. One day North Empire asked for Princess Sooyoung to be a concubine of an old Emperor because she was known for her beauty. But the king really loved his daughter so instead he ordered Yeho’s older sister to disguise as Princess Sooyoung and marry the old Emperor.

Yeho told his sister to run away with her lover, and his sister had to leave her younger brother alone with his mother. After she ran away, Yeho asked his mother to give the things back to the king that she got for trying to sell her daughter, but his mother already used the gifts to pay off her gambling debt. He was trying to give the gifts back to the king to take away his order, but now he can’t do that anymore. He tells his mother to run away, and he disguises as his sister to go to North Empire.

After he got there, he was trying to tell the Emperor the truth and take away his life, but the Emperor went out for few days to look around his empire. When the emperor came back, he wasn’t as old as he thought.

From classmates to brother and sister, living under the same roof.

After his father's remarriage, Asamura Yuuta ends up getting a new stepsister, coincidentally the number one beauty of the school year, Ayase Saki. Having learned important values when it comes to man-woman relationships through the previous ones of their parents, they promise each other not to be too close, not to be too opposing, and to merely keep a vague and comfortable distance.

On one hand, Saki, who has worked in solitude for the sake of her family, doesn't know how to properly rely on others, whereas Yuta is unsure of how to really treat her. Standing on fairly equal ground, these two slowly learn the comfortable sensation of living together.

Their relationship slowly evolves from being strangers the more the days pass. Eventually, this could end up in a story about love for all we know.

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