Splitting the Heavens - Chapter 1659: Tactical Retreat

I was nothing. A lowly omega, destined to live in the shadows of stronger wolves. But on the night of my eighteenth birthday, the moon had other plans for me. My mate was an Alpha’s son. The problem? He wasn’t the only one. The Blackwood triplets—Kael, Ronan, and Darian—each bore the same mark that bound them to me.To be Luna, I would have to survive the chaos of three powerful mates, a jealous rival who wanted my place, and a secret buried deep in my bloodline.Because being chosen by the moon was never a gift. It was a curse.

With divine medical skills in his left hand and supreme martial arts in his right, carrying a century of memories, he was reborn and returned to the city. This life, he vowed to dominate everything, take control of all, and ascend to the zenith of the heavens!

I transmigrated into the body of the Villainous Young Master.Why am I a fake while everyone else is real?!The real Young Master wants to oppress me. Even my fiancee wants to break off our engagement.Bring it on, then!Just when HuMing was about to beat up the b*tches and scumbags, the gazes of the girls around him became increasingly strange.“Didn’t we say only to cooperate?”“Well, we’re just here for our payment.”The gentle smiles on the girls’ faces made HuMing weak on his knees.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.