Starting with Check-In Sacred Body of the Ancients - Chapter 160: A Change in Attitude, Wanting Jun Xiaoyao to Become the Academy’s Holy Son

Dying in a tragic accident Marcus Ferrous gets transferred to a fantasy world of monsters and magic, except when he arrives contrary to what he expected he is now level one and a ghost. Left with nothing on a strange new world, Marcus will struggle with everything he has on his journey to get stronger and uncover the secrets of his new world.

Henry Morris, the 8th-Circle Mage, stood on the execution platform.

When the emperor, his friend, had passed, his son had became a puppet of the nobles. Soon after, a purge had ensued, led by the forces opposing Henry.

Even in the face of death, all Henry could think was that he hated the new emperor and the nobles.

Just as he thought it was all over, Henry suddenly found himself in a new body—one with the potential to become a swordsman. An 8th-Circle Mage, reborn as a swordsman.

With both powers now at his disposal, Henry’s revenge was only a matter of time.

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The road to immortality is full of dangers and obstacles. Let's see how a young slave of a prominent clan changes his destiny and creates his own legend. Thousands of years later, the world bows to him and refers to him as the Celestial Master or Heavenly Locust Emperor.......

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A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.