The Heavenly Dao System - Chapter 20: Stacked Cultivation

Bok Taejin was an ordinary young man who met an untimely death in a car accident—only to wake up in the body of a starving teenager in a strange world. Stranded in the wilderness, he is rescued by a group of villagers and soon discovers that he has transmigrated into the new Sect Leader of the long-forgotten One Flower Sect—a once-powerful immortal sect now reduced to nothing.With no cultivation talent, no resources, and only a mysterious technique called the Life and Death Technique, Bok Taejin soon realizes that the key to reviving his sect isn’t just through martial arts—it’s through farming. Hidden within the sect’s abandoned fields are spiritual herbs and ancient crops with untapped potential. By cultivating the land, nurturing rare plants, and trading with nearby towns, he slowly builds a foundation for the sect’s return.But as word spreads of a declining sect suddenly producing miraculous crops and powerful elixirs, forces from the martial world begin to take notice. Can Bok Taejin grow his sect back to its former glory while fending off enemies who seek to steal his secrets?Armed with nothing but his wits, a hoe, and an iron will, the last disciple of the One Flower Sect is about to change the world—one harvest at a time!

Traversing to a parallel World, Shinji Kamihara discovers a mysterious notebook called the 'Chronicles Of Urban Legends'.By writing urban legends in its pages, he can bring them to life in the real world. In this Japan, many of the urban legends from his previous life are absent—Hanako-san of the Restroom, Hell Girl, Sadako’s videotape, the Eight-Foot Woman, Mary’s phone call, the Seiryūji Tunnel, the Gaze from the Cracks, Tengu Elementary…“Let me unleash a pandemonium of Monsters and Ghosts upon this World!”

Amamiya Hiroto is unlucky. His life consisted of misfortune after misfortune, culminating in an unlucky death during an incident on a school boat trip, trying to save a girl he barely knew. After death, he met a god of reincarnation who requested that the hundred or so dead passengers—one of them being the girl he tried in vain to save—be reincarnated into another world.

The literature of this other world was atrocious.So, I plagiarized.Don Quixote, Anna Karenina, Alice’s Adventures in Wonderland, The Metamorphosis… I thought that unraveling the literature of the original world would advance the literature of this other world.“Those who dream and those who do not, who really is the mad one?”“To live or to die, that is the question.”“No matter how fatal the mistake, it is different from a sin.”But then, people began to immerse themselves too deeply in the novels I plagiarized.Can’t a novel just be seen as a novel…?