The Heiress Strikes Back - Chapter 759 - : Successful Fishing

Every novel has a low IQ supporting female that serves as a foil to the female lead’s good and beautiful sides. She’s the stepping stone on the path of love between the male and female leads, destined to live her life doing stupid things until her tragic end.

One day, all of the villainous supporting females came to their senses. They began to rebel! And quit! For the sake of world order, the System found a human to take their place.

World 1: The female lead risks her life to shield the male lead while the supporting female quakes in a corner (and watches the show)

Male Lead: ?? So you never loved me.

Supporting Female: He finally found out, looks like my job was a success. The end of the year bonus is mine!

Male Lead: ?!

A fun and breezy quick-transmigration story~

- Description from Novelupdates

Feng Xin was really tired. Twenty years ago, her girlfriend suffered a brain damage in an accident, and she woke up feeling abnormal.

She just watched the dazzling goddess in the past, and turned into a fool who likes to talk to herself, yell, and has no ability to take care of herself.

Now that Feng Xin is over forty years old, she has long become numb in the face of her often crazy wife. She should have lost Shang Congshu twenty years ago, so that she will not endure until middle age and suffer most of her life.

Waking up one night, Feng Xin returned to twenty years ago, and actually returned to the second day when Shang Congshu was mentally ill! ! !

Shang’s mother was distraught: “I know that ordinary people can’t bear this kind of accident. As long as you say a word not to be comfortable, my father and I will take them away immediately.”

The picture is exactly the same as it was 20 years ago. Feng Xin was held by Shang Congshu. The fool didn’t know what to say. …

It turned out that if she chose again, she still wanted to continue to love Shang Congshu.

Even if taking care of you who has become a lunatic makes me emaciated, sleepless every night, and tortures me so much, I still can’t stand my life without you.
Feng Xin: “Auntie, I want her.”

Content tags: urban love, special liking, heaven’s favored son, rebirth
Search keywords: Protagonist: Feng Xin (xīn), Shang Congshu ┃ Supporting role: ┃ Others:

- Description from novelbuddy

Playing under the plum trees and riding on bamboo, those were the days of joyful play. It was when they first met.She was not shy but innocently charming, standing before the breeze with her hair flowing, her complexion as creamy as curds.After waking up, Xu Qingfan had returned to 20 years earlier, to the year 2002.That year, the sky was very blue, the clouds were very white, and the wind was very noisy.That year, his Childhood Sweetheart hadn't gone abroad, their parents hadn't gone grey, and he hadn't the worries of being unaccomplished.That year, he was six, she was five, and they both could fully experience the climate as snowflakes blossomed.PS: This book is also titled “Help, I'm Surrounded by Childhood Sweethearts” and “I Have a Little Too Many Childhood Sweethearts.”

After a long time in the darkness, a lost soul is transported to another world, and there the soul is given another chance and is reborn as a boy...In a world of swords and magic, Zaos is given another chance after hearing an unknown voice asking him to protect someone. While he couldn't remember many things about his old life, he still decided to live his new as much as possible. Even though it looked like he was destined to do something, Zaos chose to follow his own path as much as possible.He tried that... but it looked like the machinations of destiny won't give him much option. Weird things were happening in the kingdom he was born, and before he could imagine... Zaos was throw in the middle of a war in which some were trying to revive the god of the world, and others were trying to prevent it. Zaos will fight in this war while he also looks for the person he is supposed to protect.The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.