The Transmigrated Author - Chapter 238: The Sunlit King (4)

read the first 10 chapter, and you will like it!!!In a world where every 18-year-old is granted a noble title and a domain, Reed was never meant to rule. Born in the slums, he survived by stealing, killing, and doing whatever it took to stay alive. The world despised him, and he despised it back.But when the Day of Lords arrived, fate played its cruelest trick yet.Goblin Lord.The weakest possible domain. The most pathetic summons. A rank that was practically a death sentence.But Reed doesn’t care. He never played by the rules before, and he won’t start now. Given absolute authority over his first Hero—a deadly and completely loyal goblin woman named Shia—he embraces his title with ruthless efficiency. There are no rules he won’t break, no enemies he won’t kill, and no limits to how far he’ll rise.If the world thinks it can laugh at him, it’s in for a nightmare.Because the Lord of the Forsaken doesn’t bow to fate. He breaks it.

"Stay with me and I will give you everything your heart desires. For you, my darling, I would part the mountains, split the sea, and cause havoc on Earth just to have you."

Zong Shou woke up from a dream and realised that he had time traveled back ten thousand years, to an era before the God Emperor was had appeared in the world.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.