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... d brothers, Li Long and Li Hu.

Since childhood, the two brothers had encountered incredible fortunes, which greatly increased their cultivation. However, after reaching adulthood, they couldn’t resist the loneliness and were unable to withstand the enticements of the flourishing world, so they ended up under the service of Liu Qingyun.

Over the years, they had blazed a bloody trail and had amassed a vast fortune.

But this time, it seemed that they were going to meet their ...

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Wei Shao’s part.

At first, Marquis of Yan, Wei Shao, was advised to marry the Qiao’s daughter : “The Qiao’s family has been in the Eastern County for three generations, although declining, but deeply honored, like the hundred-foot insects that die but not stiff. My Lord is majestic and powerful. The family of Qiao has begged the Lord, so why not take the daughter of the Qiao family and use her?”

Later, Wei Shao finally understood and hit his own face. It’s hurt, really hurt.

Xiao Qiao’s part.

Hmm, men are indeed cheap bones. The Emperor is the same.

……

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MTL - From the Void King To the Ghost Swordsman of the Light of the Beginning~ The Story of the Captains (2)
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Grim Reaper

Pursue the power of waves, keep company with the darkness, practice thunder and lightning waves, I am the ‘Emperor of Heaven’

Honing the power of blood, fighting with madness, becoming a blood demon and killing the sky, I am the “devil god”

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Traveling into the world of the god of death, with the template of a dnf ghost swordsman, since the god of death has a king, and the destroyer has a king, then I will become the king of the void!

Asura, Berserker, Devil May Cry, Sword Soul, Sword Shadow, Dark Warrior, Wandering Warrior, Demon Contractor, Sword Rider, Dark Templar, all of them are me!

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The Mysterious Art MuseumChapter 165: The Mysterious Art Museum
 
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Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.