Versatile System Online - Chapter 221 Heading Towards The Shelter (Part 2)

Humanity’s savior. Vanquisher of gods.

Empire’s first emperor, Juan Kalberk Kenosis.

Ahead of his final battle, he is betrayed.

The emperor eyes close as he meets his end…… so he should have.

“Which bastard brought me back to life-eee!!“

After dying and resurrecting, he looks behind the black curtain for the hidden truth. And to stop the rift that’s dividing the world, in the name of heresy he begins his fight against the empire.

The emperor has now returned!

Lu Yao stumbled upon a pixel art game where players take on the role of a God in it, but it didn’t take him long to realize that this game connects players to the many worlds of different dimensions.The [Sacrifice] function in the game will actually allow offered sacrifices to enter his reality, while the [Blessing] function makes it possible for him to offer real life objects into the game.As a Novice God, besides from creating all kinds of natural disasters, he really couldn’t do much in the game.That was until he decided to ignore the cost and reincarnate a beautiful apostle, from then on, the whole gameplay started to change…

Karl Adelheit, a self-proclaimed ordinary student returning from military service.

And a nobleman who enlisted as a soldier and received Medals of Honor.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.