Witcher: I Can Extract Everything - Chapter 303: Monster

Ysavel, an aspiring writer, wakes up one day inside the world of her own novel. She thought it's those typical transmigration story she have read. However, she was shock when she discovers that she's been cast as the villainess in her own story.

“DON'T TELL ME I BECOME THE VILLAINESS OF MY OWN STORY?!”

Shocked and dismayed, she realizes that the only way to return to the real world is to live out her role in the story. Initially, she accepts this fate, but things take an unexpected turn when the characters start deviating from the script.

“I don't want another Queen. Youare the only one I want as my Queen, Csille.” Prince Fraser whispered.

The male lead, who was expected to be annoyed by her constant pestering, instead becomes affectionate and attached to her.

“It's inevitable, Lady Lauretré. You will still be the Queen, so I don't see any harm in what I said. Besides, I doubt the King or even the Crown Prince would be willing to change their minds about your engagement.”

The female lead, who was supposed to separate the male lead from her, begins to play matchmaker between the male lead and the villainess.

What should she do? She couldn't get back to the real world if she didn't finished the story as the villainess. But how can she finished it if the two leads are not following the script? Help!!!

Chu Hao was reborn in another world. With the memory of his past life, he embarked on a journey to conquer the heavens and the worlds, and finally became the Eternal Heavenly Emperor.[Rebirth], [Exploration], [Battle]

It's simple. A vengeful wildfire of a woman. A tyrant who begs to be burned.When Aria crashes into Kael’s empire, hellbent on making him pay for taking her job away, she’s met not with defiance—but a dare. “You want revenge?” he taunts, voice dripping with dark invitation.“Then ruin me. Take your pound of flesh exactly where it hurts.” His proposition is a trap laced with sin: As expected he calls the shots in his bed, her contempt is his twisted aphrodisiac.“Hate me until your hands shake,” he growls. “But do it on top of me, where I can watch you savor every cut.”Their arrangement is a collision of dominance and delirium. Aria wields her fury like a blade, determined to break him. Kael? He thrives under her wrath, goading her darker, deeper, hungrier.But vengeance turns slippery when every command she hisses ignites his obedience, and every cold glare melts into bruising kisses. Soon, the bed becomes a battleground—her nails carving victory into his skin, his whispers a serpent’s promise: “Chain me with your rage, darling. I’ll still come back for more.”The rules are simple: No mercy. No surrender. But as their games spiral into something ravenous, who’s destroying whom? And when hatred burns this hot, what’s left when the ashes cool?

There once was a boy who was an orphan and suffered abuse from his village residents. The only friend he had was the dummy scarecrow on the field, whom he talked to. One day, a wealthy man brutally beat the boy. The next morning, the wealthy man was found dead, and the scarecrow was covered in blood. Terrified, the villagers were convinced that the scarecrow had come to life to avenge its tormented friend. And it was the last scarecrow ever placed again in the fields, considering it a sign of death. — After scarecrow dolls begin appearing in the streets of Riddleford next to murder victims, the town is thrown into chaos.When the hunt for the mystery scarecrow murderer begins, it is only a matter of time before the famous Frontier Hall Opera House employees are subjected to suspicion, each protecting a secret of their own. But is that all that is going on? Or is there something unseen?