Programmer Tao Zhiyue transmigrated into a cannon fodder in a bloody CEO article. He was the first love in the book that caused the protagonist Huo Ran to become disabled and heartbroken. In the end, he was revenged to death by the protagonist’s husband and wife, especially miserable.
Tao Zhiyue ran away without hesitation.
As a dead house, he firmly squatted at home with the computer as a companion, indulging in the wonderful sand sculpture online world, so unhappy.
Just kidding, even if the plot wants him to meet Huo, there is no chance, okay?
When browsing the forum one day, he saw such a delusional phishing post:
[Title] I was pursued by four people of the same sex, but I am a straight man, how should I politely refuse?
Tao Zhiyue, a gay man, replied with a sneer –
Then he inexplicably had met an old-fashioned netizen.
Tao Zhiyue tried to teach the straight male netizen some coquettish manipulations of rejecting other people’s love, and the effect was remarkable, and he successfully strangled the other party’s peach blossoms!
Later, the netizen, who he had an increasingly ambiguous relationship with, invited him to formally meet him, and he went to the appointment with a throbbing heart.
The tall and handsome man stretched out his hand nervously, blushing: Hello, my name is Huo Ran.
Tao Zhiyue:! ! ! ! ! !
A decisive programmer who loves life and never works overtime × Occasionally the pure love of elementary school chicks straight ball rich second generation attack, double first love.
- Description from Novelupdates
![Reincarnated in the game world ~ A gamer's beginning to [Dungeon job hunting recommendation]](http://static.novelbuddy.com/images/reincarnated-in-the-game-world-a-gamers-beginning-to-dungeon-job-hunting-recommendation.png "Reincarnated in the game world ~ A gamer's beginning to [Dungeon job hunting recommendation]")
Chapter 567Vol. 11 - - Haku vs Misato! And so the curtain falls on the opening act.
Chapter 100 La! Back to the beginning of the story (*^▽^*)
Volume 4, Narrator, to the Sky (in Place of Volume 4’s ‘Afterword’)
