Warlock of Oceans: My Poseidon System-Chapter 340: The Holy City of Rebelkin (14)
The floor of the entrance hall is made from polished marble, laid out in an elaborate pattern of alternating colors and geometric designs. The marble is smooth and glossy, reflecting the light from the chandelier and adding to the hall’s opulent atmosphere. The cool, hard surface of the marble provides a sense of solidity and permanence, appropriate for a building dedicated to governance and public affairs.
Suspended from the center of the ceiling is a grand chandelier, a true centerpiece of the hall. This chandelier is a dazzling creation of crystal and gold, with countless facets that catch and refract the light, creating a mesmerizing display of sparkles and rainbows. The chandelier’s design is both intricate and imposing, featuring multiple tiers of lights that illuminate the hall with a warm, inviting glow. The soft light enhances the beauty of the marble floors and the detailed plasterwork on the ceiling.
The walls of the entrance hall are lined with portraits of past leaders, each one a masterpiece of portraiture. These paintings are framed in gilded wood, their frames as ornate and finely crafted as the portraits themselves. The subjects of the portraits are depicted in their official attire, exuding dignity and authority. The arrangement of the portraits follows a chronological order, allowing visitors to trace the town’s leadership history through the faces of its most notable figures.
Interspersed between the portraits are large tapestries that depict significant events in the town’s history. These tapestries are woven with rich, vibrant colors and intricate details, each one telling a story of a pivotal moment in the town’s past. Scenes might include the founding of the town, key battles or treaties, important civic projects, and cultural milestones. The tapestries not only add a decorative element to the hall but also serve as educational pieces, providing a visual history lesson to all who enter.
The entrance hall is furnished with elegant pieces that complement its grand design. There are polished wooden benches and chairs with plush upholstery, offering visitors a place to sit and rest. Ornamental tables hold vases of fresh flowers or historical artifacts under glass. Tall, decorative potted plants add a touch of greenery, softening the space and bringing a hint of nature indoors.
Toward one side of the entrance hall is a reception area, where visitors can inquire about town hall services or receive information. The reception desk is made of dark wood with a marble top, matching the opulence of the hall. Behind the desk, a friendly staff member is ready to assist, underscoring the town’s commitment to accessibility and service. Read new chapters at novelbuddy
Grand staircases lead to the upper floors, their balustrades made of carved wood and wrought iron, echoing the intricate designs found throughout the building. Doorways leading off the entrance hall are equally impressive, framed with elaborate woodwork and often featuring heavy, brass handles. These doorways lead to various important rooms and chambers within the town hall.
In addition to the chandelier, the hall is lit by wall sconces and lamps placed at strategic points. These lights provide ample illumination while highlighting the architectural and decorative details. The overall lighting scheme creates a warm, welcoming atmosphere that balances the hall’s grandeur with a sense of comfort.
Cyrus and his men, after being led through the grand entrance hall, find themselves in a more secluded area of the town hall. The transition from the opulent public spaces to this more private backroom is marked by a series of features that underscore its distinct purpose and atmosphere. As they move deeper into the building, the bustling noise from the entrance hall fades, replaced by an increasing sense of calm and seriousness.
The door to the backroom is made of solid oak, its formidable presence immediately drawing attention. This door, in contrast to the elaborate and ornate ones seen in the main hall, stands out for its simplicity and strength. The oak is polished to a deep, rich hue, revealing the natural grain of the wood, which adds to its solid, unyielding appearance. Iron bands reinforce the door, running horizontally across its surface, adding both structural integrity and a medieval, fortress-like quality. These bands are riveted in place, their dark metal contrasting starkly with the warm tones of the wood.
The handle of the door is equally impressive, a large, ornate piece crafted from brass. It is meticulously detailed with intricate scrollwork and a lion’s head motif, symbolizing strength and vigilance. The handle’s design hints at the room’s importance, suggesting that whatever lies beyond is of significant value or sensitivity. When turned, the handle moves with a reassuring solidity, the mechanisms within the door operating with a smooth, well-oiled precision.
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As the door swings open, it does so with a heavy, deliberate movement, revealing the backroom. This transition from the decorative and public areas of the town hall to a more reserved, functional space underscores a shift in atmosphere—from the ceremonial to the operational, from display to duty. The robust construction and secure features of the door reflect the room’s purpose as a place of private discussion and decision-making, where matters of importance are considered and resolved away from the public eye.
The walls of the backroom are lined with dark wood paneling, adding a sense of warmth and formality. This paneling is intricately carved with geometric patterns and subtle floral motifs, showcasing the craftsmanship and attention to detail that went into its creation. The rich, dark wood exudes an aura of timeless elegance, creating an environment that feels both welcoming and authoritative. The carvings on the paneling are not merely decorative but also symbolic, representing the town’s heritage and values through carefully chosen motifs.
Adorning these paneled walls are fewer but more personal items that reflect the room’s function as a space for private, significant discussions. Framed maps detail the town’s geography and expansion over the years, each one a testament to the growth and development of the community. Historical documents, carefully preserved and displayed, narrate pivotal moments in the town’s history, such as founding charters, treaties, and records of notable events. These documents, written in elegant script and adorned with official seals, provide a tangible connection to the past.
Interspersed among the maps and documents are portraits of influential figures, depicted in more intimate settings than those in the grand entrance hall. These portraits capture the leaders not in formal poses but in moments of contemplation or in the midst of action, providing a glimpse into their personalities and leadership styles. The eyes of these figures, painted with lifelike intensity, seem to watch over the room, their presence lending an air of gravitas and continuity.
The floor of the backroom is covered with thick, richly colored carpets that muffle footsteps and add to the room’s sense of coziness and seclusion. These carpets are masterpieces of weaving, featuring intricate designs that tell their own stories. Patterns might include the town’s heraldry, with symbols representing its founding, key industries, and cultural milestones. Motifs symbolic of the town’s heritage are woven into the fabric, creating a visual tapestry that complements the historical and personal items on the walls. The carpets are not just functional but also add to the aesthetic richness of the room, their colors and patterns enhancing the overall ambiance.
These elements together create a backroom that is both intimate and dignified. The warmth of the wood paneling, the historical significance of the maps and documents, the personal touch of the portraits, and the quiet elegance of the carpets all contribute to a space that is perfectly suited for serious discussions and decision-making. It is a room that respects the past while providing a secure and comfortable environment for shaping the future.
In the center of the room is a large, rectangular wooden table, polished to a high sheen that reflects the soft lighting overhead. The table is robust and elegantly crafted, its surface smooth and unblemished, indicating regular care and maintenance. This table is the focal point of the room, symbolizing the centrality of discussion and decision-making that occurs within these walls. Surrounding the table are high-backed chairs, each one upholstered in dark, rich leather that exudes both comfort and authority. These chairs are designed for long meetings, their ergonomic structure ensuring that those seated can do so for extended periods without discomfort. The top rail of each chair features a crest intricately carved into the wood, a symbol of the town’s authority and a reminder of the responsibility borne by those who gather here.
Along the walls, there are several cabinets and shelves meticulously organized and filled with ledgers, scrolls, and books. These storage units are constructed from the same dark wood as the paneling, their design blending seamlessly with the room’s overall aesthetic. The ledgers and scrolls contain detailed records of the town’s administration, from financial accounts and legal documents to minutes of past meetings and historical records. The books, bound in leather and often bearing gold-embossed titles, cover a range of subjects relevant to governance and policy. Together, these cabinets and shelves provide easy access to the information necessary for informed decision-making, underscoring the importance of knowledge and continuity in leadership.
