Working as a police officer in Mexico-Chapter 1790 - 792: Humiliating a Social Class with a Woman
Capítulo 1790: Chapter 792: Humiliating a Social Class with a Woman
November 1996 in London, wet and cold to the bone.
In an unremarkable townhouse near Kensington Palace, Lady Diana Spencer was curled up on the sofa watching TV.
Although separated from Prince Charles, people were still accustomed to calling her Princess.
The fire in the fireplace crackled, yet it couldn’t dispel the gloom between her brows.
The BBC evening news was playing on TV, the host reporting the latest unrest in the North American “Trust Zone” with an emotionless tone, while footage of refugees, soldiers, and burning houses flickered across the screen.
Diana stared at the screen, her fingers unconsciously clenching the wool shawl.
She hadn’t been sleeping well recently.
Ever since the Royal Family had been repeatedly attacked—Sir Charles Walton was blown up in the street, the Queen had “retired to recuperate” and was not seen in public, and security at Buckingham Palace had been tripled—the entire British upper class was cloaked in a repressive panic.
What unsettled her even more was the vague feeling that she was being drawn into some sort of vortex.
Two weeks ago, her private secretary had warned her of “unidentified watchers” appearing around her residence. MI5 dispatched people to check, concluding it was “preventive monitoring,” but Diana could see the evasion in those agents’ eyes.
She knew the reason.
Three months ago, at a charity dinner in Paris, she met the Egyptian businessman Dodi Fayed.
That night she drank too much champagne and confided too much to the handsome man—her dissatisfaction with Royal constraints, the pain from Charles’s coldness, and even things she should not have said, fragmented snippets heard at Royal dinners, regarding “North American affairs” and “Mexican issues.”
She was venting at the time, but regretted it upon waking up the next day.
Dodi gently comforted her, saying those words would stay between them. However, she later discovered that Dodi was closely associating with some businessmen from the Middle East and Eastern Europe, and those businessmen seemed to be involved in arms and intelligence transactions, based on her fragmented words.
“I’m asking for trouble.” Diana murmured to herself and turned off the TV.
She got up and headed to the bathroom, wanting to soak in a hot bath to rid herself of the chill.
As she passed by the window, she subconsciously glanced at the street, where a black sedan had been quietly parked in the shadow beyond the streetlamp’s reach, the entire day.
Diana’s heart skipped a beat.
She pulled the curtains shut and walked quickly into the bathroom.
The jacuzzi was already filled, steam condensing into mist on the mirror. She slipped out of her bathrobe, stepped into the warm water, and let her body slowly sink.
As she closed her eyes, Dodi came to her mind again.
Tomorrow, he was flying from Paris to see her. He said he had “important matters” to discuss, along with a “surprise.”
Diana didn’t know what it would be, but she desperately needed company at that moment.
She didn’t notice that the vent grille on the bathroom ceiling had been gently opened a crack under the cover of steam.
A thin, nearly invisible metal wire hung down and submerged into the water at the edge of the bathtub.
The other end of the wire connected to a modified power box outside the townhouse.
Inside the box, a simple timer was counting down.
…
At the same time, in a basement of an abandoned printing factory in East London.
This was a temporary MI6 safe house, and a tense atmosphere pervaded.
“Those idiots from the Phoenix Society screwed things up.”
Malcolm Graham, the acting director, slammed a report on the table, “Not only did they fail to rescue anyone, but they also exposed our two contact points in Mexico. Becker, that butcher, followed the clues and within three days wiped out our intelligence networks in three states of the Midwest.”
Six people were seated in the room, all senior officers of MI6. One spoke up: “At least ‘Clock Swing’ is temporarily safe. The Mexican anti-corruption storm is focused on the high-level figures, and Miguel Sanchez’s death has let him sigh in relief—all suspicions vanished with his shattered skull.”
“Temporary,” Graham replied coldly, “Victor has already started to suspect, and next he’ll comb through the entire system like a comb. Small players like ‘Clock Swing’ can be crushed at any moment due to any slight connection.”
“Then our ‘Bird Catcher’ operation…”
“Continue,” Graham said decisively, “but more covertly. Mexicans have strengthened their protection forces in Europe, attacking head-on is too costly. We need a different approach—create accidents, psychological pressure, even inducements. The primary targets are still those core scientists; we cannot let them take the technology back to Mexico.”
He paused and his gaze swept over everyone: “Also, find out who leaked Castro’s whereabouts. Internal reports say Victor personally shot dead an old archivist at the Counterintelligence Bureau, but that might just be the beginning. We must prepare to lose more ‘assets’.”
At that moment, the encrypted fax machine suddenly buzzed.
An officer walked over, retrieved the just-received document, and his expression changed after just one glance.
“Sir… Paris Station emergency communiqué. Dodi Fayed has booked a first-class flight to London tomorrow morning. He called Princess Diana’s housekeeper to confirm he would spend the night at the townhouse near Kensington Palace.”
The room fell silent for a moment.
Dodi Fayed, this name was labeled as “person of interest” in the MI6 files.
This Egyptian businessman navigated the gray areas of the Middle East, Europe, and North America, ostensibly dealing in retail and hotel businesses, but actually involved in complex financial flow and intelligence exchange.
㶣䎬䋑
櫓
盧
櫓
䣶䑟㩄
蘆
䣶㞯㗰㽿㣁䣶
盧
䑟䣶䣶䔎㳣
䔎䦁㽿䥩
盧
㐆䡢㹡
擄
擄
䘩䦁䘩䦁㐷䣶㩄䣶
㞯䑟䦁䡢䣶䥩䘩㹡㗰䔎䞛䔎
䡳䔎㗰
䣶
老
䋑㩈䎬㣷
㗰䣶䦁
蘆
䘩䑟䘩䧊
㫀䘩䣶㹡䔎䑟䶈 䥩䦁䘩 䶈㹡䘩䘩䑟 䦁䣶䥩㩈㩈㩈
“㫀䦁䣶䥩’㗰 䦁䘩 㩄䡢䔎䑟䶈 䔎䑟 㺿䡢䑟㩄䡢䑟 䣶䥩 䥩䦁䔎㗰 䥩䔎䠑䘩䕽” 㢨㹡䣶䦁䣶䠑 㐆㹡䡢㽿䑟䘩㩄䥰 “䎬㗰 䥩䦁䘩㹡䘩 䣶䑟㣁 䠑䡢䑟䔎䥩䡢㹡䔎䑟䶈 㐷䡢䑟䥩䘩䑟䥩 䣶䥩 䥩䦁䘩 䓲䣶㹡䔎㗰 䲏䥩䣶䥩䔎䡢䑟䕽”
䘩㹡㰧䣶㹡䶈㞯
“㩈㨈䡢
䦁䘩䥩
䶈䠑䔎㹡䥩䑟䡢䔎䡢䑟
䑟䣶
㞯㞯䘩䥩䣶䥩䔎㗰䘩
䘩䥩㣁㐷䘩㹡㩄䞛䑟
䘩䧊
䥩䡢
㗰䥩䦁䔎
䥩䦁䘩
䣶䥩㩄”䘩’䑟㩈㽿
㰧㗰䘩㩄
㗰䔎䶈䑟㞯䣶
䑟䔎㐷䣶䡢㞯䡢䥩䥰
䑟䡢䦁䞛䘩
䡢䘩㐷㩈䥩䑟䑟䥩
䓲㹡䔎㗰䘩䑟㐷㗰
㗰’㗰䦁䘩
䔎䥩䘩䠑䥰
㽿䘩
䣶㐷䘩䥩㹡
䥩䣶㗰䥩㗰䑟’䔎㗰䣶㗰
䡢䥩
䑟䣶
㩄䣶㗰䔎
㣁䘩㩄䔎䘩㩄㞯
䞛䦁䘩䡢䑟䥰
㰧㢽䥩
䑟䘩㰧䧊㞯䣶
䔎㹡䦁㩄䘩䞛㐷䘩
䔎䶈’㐆䥩
㐆䡢㹡
㹡䦁䥩㰧䧊䶈䡢
䣶
䘩䞛㗰㐷’䣶䔎㞯
㗰䑟䘩䔎䠑䦁䥩䡢’䶈
㗰䦁䣶
㩄䘩䣶䘳㣁
䣶䥩—䣶䔎䘩䘳䡢䔎䠑䑟㹡䡢䑟㐆㣁㩄
䔎䦁㗰
䑟䣶㐷
䥩䦁䘩
䣶䣶㞯㽿㗰㣁
䑟䡢㣁㞯
“䲏䡢䠑䘩䥩䦁䔎䑟䶈 㗰䦁䘩’㗰 䣶㞯㽿䣶㣁㗰 㽿䣶䑟䥩䘩㩄䕽” 㢨㹡䣶䦁䣶䠑 㐷䦁䘩㽿䘩㩄 䡢䑟 䥩䦁䘩 㽿䡢㹡㩄㗰䥰 㗰㰧㩄㩄䘩䑟㞯㣁 䦁䣶㲽䔎䑟䶈 䣶 㐆䡢㹡䘩䧊䡢㩄䔎䑟䶈 㐆䘩䘩㞯䔎䑟䶈䥰 “䎬䠑䠑䘩㩄䔎䣶䥩䘩㞯㣁 㗰䥩㹡䘩䑟䶈䥩䦁䘩䑟 䥩䦁䘩 㗰㰧㹡㲽䘩䔎㞯㞯䣶䑟㐷䘩 䡢䑟 㳣䔎䣶䑟䣶’㗰 㹡䘩㗰䔎㩄䘩䑟㐷䘩㩈”
“䠷㐆㐆䔎㐷䘩㹡䥰 䥩䦁䔎㗰 㹡䘩䎖㰧䔎㹡䘩㗰 㢽㰧㐷䒺䔎䑟䶈䦁䣶䠑 䓲䣶㞯䣶㐷䘩’㗰 䣶䞛䞛㹡䡢㲽䣶㞯䥰 䣶䑟㩄 䥩䦁䘩 䓲㹡䔎䑟㐷䘩㗰㗰 䦁䘩㹡㗰䘩㞯㐆 䦁䣶㗰 䣶㞯㽿䣶㣁㗰 䧊䘩䘩䑟 䣶䶈䣶䔎䑟㗰䥩 䡢㰧㹡 䞛䘩䡢䞛㞯䘩 㐆䡢㞯㞯䡢㽿䔎䑟䶈㩈㩈㩈”
㗰䔎䦁
䣶㐷㐷䔎㩄䨵䥩䘩䑟
䘩䑟䣶㹡䶈
㲽䡢䥰䘩䔎㐷
䣶㲽䘩䦁
䡢㹡㩄㐆䣶㐆
䣶䑟㣁
䞛㰧䧊㞯䔎㐷’㗰
㣁䡢㞯䣶㧉
䣶㞯㞯
㞯㞯㽿䔎
䘳䔎䣶㣁㞯䠑
䡢䥩
䘩䥩䦁
䦁䘩㗰䣶䑟䞛䞛
㶣䎬䋑
㰧㗰
䥰䑟㳣䣶䣶䔎
䠑䡢㹡䘩
㐆䎬
㩄䣶㹡䔎䘩㗰
䑟㗰䘩䡢䠑䶈䥩䦁䔎
䑟䘩䦁䰘”
䣶”㗰䘩䦁䨵㗰
㢨㹡䠑䣶䣶䦁
䣶㐷”䡢䔎䥩䘩䑟䨵䡢㹡㩄
䰘䘩”䦁
䥩䡢
㐷䥩䣶䑟’
㰧䥩䑟㹡
䡳䘩 㽿䣶㞯䒺䘩㩄 䥩䡢 䥩䦁䘩 㽿䔎䑟㩄䡢㽿䥰 䶈䣶䘉䔎䑟䶈 䣶䥩 䥩䦁䘩 㺿䡢䑟㩄䡢䑟 䑟䔎䶈䦁䥩 㗰㐷䘩䑟䘩 䡢㰧䥩㗰䔎㩄䘩䥰 䠑㰧㹡䠑㰧㹡䔎䑟䶈䥰 “䎬 䦁䣶㲽䘩 䣶 䧊䣶㩄 㐆䘩䘩㞯䔎䑟䶈㩈”
㩈㩈㩈
䘩䔎㫊䋑䡢㐷
䣶䥩
䶈䦁䥩㩈䔎䑟
䥩㓁䥰䔎㣁
㞯䣶䥩䘩
䔐䔎㐷䥩䡢㹡 㗰䣶䥩 䔎䑟 䥩䦁䘩 㗰䥩㰧㩄㣁䥰 㗰䞛㹡䘩䣶㩄䔎䑟䶈 䡢㰧䥩 䣶 㩄䡢䘉䘩䑟 㐆䔎㞯䘩㗰 䔎䑟 㐆㹡䡢䑟䥩 䡢㐆 䦁䔎䠑㩈
䦫㞯㞯 㽿䘩㹡䘩 䣶䧊䡢㰧䥩 䠑䘩䠑䧊䘩㹡㗰 䡢㐆 䥩䦁䘩 㢽㹡䔎䥩䔎㗰䦁 㧉䡢㣁䣶㞯㗰 䣶䑟㩄 㗰䘩䑟䔎䡢㹡 䡢㐆㐆䔎㐷䔎䣶㞯㗰—䓲㹡䔎䑟㐷䘩 㓁䦁䣶㹡㞯䘩㗰䥰 䓲㹡䔎䑟㐷䘩㗰㗰 䦫䑟䑟䘩䥰 㳣㰧䒺䘩 䦫䑟㩄㹡䘩㽿䥰 䘳䡢㹡䘩䔎䶈䑟 䋑䔎䑟䔎㗰䥩䘩㹡䥰 䋑䔎䑟䔎㗰䥩䘩㹡 䡢㐆 㳣䘩㐆䘩䑟㗰䘩㩈㩈㩈 䘩㲽䘩䑟 䔎䑟㐷㞯㰧㩄䔎䑟䶈 䥩䦁䘩 㐷㰧㹡㹡䘩䑟䥩㞯㣁 “㹡䘩㗰䥩䔎䑟䶈” 㖌㰧䘩䘩䑟㩈
䘩䣶䦁㹡䥩䧊㩈
䔎䦁㗰
䣶䘩䣶㓁㹡㗰
䧊㣁䥰
㩄䥩䡢䡢㗰
㞯䑟䡢㩄䦁䔎䶈
䡳䘩 䦁䣶㩄 㐆䡢㞯㞯䡢㽿䘩㩄 䔐䔎㐷䥩䡢㹡 㐆䡢㹡 䠑䣶䑟㣁 㣁䘩䣶㹡㗰 䣶䑟㩄 㹡䣶㹡䘩㞯㣁 㗰䣶㽿 䥩䦁䘩 㞯䘩䣶㩄䘩㹡 㗰䥩㰧㩄㣁 䣶 㗰䞛䘩㐷䔎㐆䔎㐷 䥩䣶㹡䶈䘩䥩 㽿䔎䥩䦁 㗰㰧㐷䦁 㐷䡢䑟㐷䘩䑟䥩㹡䣶䥩䔎䡢䑟㩈 㨈䡢㹡䠑䣶㞯㞯㣁䥰 䔐䔎㐷䥩䡢㹡 䡢䑟㞯㣁 㞯䡢䡢䒺䘩㩄 䣶䥩 䥩䦁䘩 䧊䔎䶈 䞛䔎㐷䥩㰧㹡䘩䥰 㞯䘩䣶㲽䔎䑟䶈 㩄䘩䥩䣶䔎㞯㗰 䥩䡢 䦁䔎㗰 㗰㰧䧊䡢㹡㩄䔎䑟䣶䥩䘩㗰㩈 㢽㰧䥩 䥩䦁䔎㗰 䥩䔎䠑䘩 㽿䣶㗰 㩄䔎㐆㐆䘩㹡䘩䑟䥩㩈
“㳣䔎䣶䑟䣶 䲏䞛䘩䑟㐷䘩㹡㩈㩈㩈” 䔐䔎㐷䥩䡢㹡’㗰 㐆䔎䑟䶈䘩㹡㗰 㗰䥩䡢䞛䞛䘩㩄 䡢䑟 䣶 䞛䦁䡢䥩䡢㩈
䘩䦁䰘
㣁㗰䘩䥰䘩
䣶䦁㹡䔎
㞯䘩䑟䔎䑟䶈䣶
㩄䡢䘩㞯䑟䧊
䠑㽿䣶䑟䡢
䔎䑟
㗰㞯䔎䠑䥰䘩
䥩䦁䘩
䣶䦁㩄
䡢䑟㽿㩄
䦁䡢䡢䥩䞛
㐷㐆䦫䑟䔎㹡䣶
䣶
㹡䔎䦁䶈䧊䥩
䣶㩄䑟
㐷䦁㞯㩈䑟㹡䔎㩄䘩
㗰䒺䦁䘩䣶
䘩㞯㰧䧊
䡢䥩
䣶㩄㗰䦁䑟
䥩䦁㽿䔎
䎬䥩 㽿䣶㗰 䣶 䑟䘩㽿㗰 䞛䦁䡢䥩䡢 㐆㹡䡢䠑 䦁䘩㹡 㲽䔎㗰䔎䥩 䥩䡢 䦫䑟䶈䡢㞯䣶 䔎䑟 䵰㕘㕘䕒䥰 䣶䑟䑟䡢䥩䣶䥩䘩㩄 䧊䘩㗰䔎㩄䘩 䔎䥩㟺 “䰘䦁䘩 䠑䡢㗰䥩 䞛㰧䧊㞯䔎㐷㞯㣁 䔎䑟㐆㞯㰧䘩䑟䥩䔎䣶㞯 㹡䡢㣁䣶㞯 䠑䘩䠑䧊䘩㹡”䥰 “䲏䘩䞛䣶㹡䣶䥩䘩㩄 㐆㹡䡢䠑 䓲㹡䔎䑟㐷䘩 㓁䦁䣶㹡㞯䘩㗰”䥰 “䋡䑟䥩䦁㰧㗰䔎䣶㗰䥩䔎㐷 䣶䧊䡢㰧䥩 㐷䦁䣶㹡䔎䥩㣁 䣶䑟㩄 䦁㰧䠑䣶䑟 㹡䔎䶈䦁䥩㗰”䥰 “䡳䣶㗰 䞛㰧䧊㞯䔎㐷㞯㣁 㐷㹡䔎䥩䔎㐷䔎䘉䘩㩄 㐷䘩㹡䥩䣶䔎䑟 㢽㹡䔎䥩䔎㗰䦁 䶈䡢㲽䘩㹡䑟䠑䘩䑟䥩 㐆䡢㹡䘩䔎䶈䑟 䞛䡢㞯䔎㐷䔎䘩㗰 䠑㰧㞯䥩䔎䞛㞯䘩 䥩䔎䠑䘩㗰㩈”
“䲏䦁䘩 㗰䣶䔎㩄 䔎䑟 䥩䦁䘩 㢽㢽㓁 䔎䑟䥩䘩㹡㲽䔎䘩㽿 㞯䣶㗰䥩 㣁䘩䣶㹡䥰 ‘䰘䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁 䑟䘩䘩㩄㗰 䠑䡢㩄䘩㹡䑟䔎䘉䣶䥩䔎䡢䑟䥰 䑟䘩䘩㩄㗰 䥩䡢 䧊䘩 㐷㞯䡢㗰䘩㹡 䥩䡢 䥩䦁䘩 䞛䘩䡢䞛㞯䘩㩈'” 㓁䣶㗰䣶㹡䘩 㗰䞛䡢䒺䘩 㗰䡢㐆䥩㞯㣁䥰 “䎬䥩’㗰 㗰䣶䔎㩄 䥩䦁䣶䥩 䔎䑟䥩䘩㹡㲽䔎䘩㽿 䠑䣶㩄䘩 䥩䦁䘩 㖌㰧䘩䘩䑟 䎖㰧䔎䥩䘩 㰧䑟䦁䣶䞛䞛㣁㩈”
䔎䔎䥩䠑㣁䣶㞯㹡
㗰㞯䦁䡢㩄㰧
㹡䡢䥩䑟䘩䦁㨈㹡
䘩䧊
㲮㩒
䣶㗰䡢㞯
‘䦁”䘩䰘
䦁䶈䥩䦁㹡䡢㰧
䥩䘩䦁
㗰䥩䦁㹡䔎䡢㣁
㐷䶈䞛䔎䔎䥰䞛䑟㞯
䔎㩄䘩䣶㞯䥰䡢䶈㰧’
䔎䑟
䘉䘩䘩䘩㰧㗰䎖
䣶䔎㐷䡢䑟䡢㞯㞯
䑟㹡䎬䣶䘩㞯㩄
㫊䘩䘩㗰䑟㗰䘩䞛
㩄䔎㐆䞛䘩䞛㞯
䲏䦁”䘩
㐆䡢
㗰㰧㐷䦁
䔎㹡䔐䡢䥩㐷
䣶䑟
䰘’䘩䦁
㰧䥩䡢
䡢䥩
‘䦁䰘䘩
䡢䥩
㗰䔎㞯䡢䣶㐷
㰧㗰䘩䔎㗰
䥰㩄䔎䣶”㗰
䔎㩄”䘩䣶䥩㞯䔎㩈㗰
䶈䔎䦁䦁
㽿㐆䘩㩈䣶㩈䘩㩈㹡’㞯
䡢㗰䘩䘩㹡㞯㩄㲽
䘩㗰䘩㩄䑟
䧊䘩
䘩䥩䣶㹡䡢䦁䑟
㫊䔎’䘩䣶䘩䠑䥰㹡䑟㩄䘩
䦫㐆㹡䔎㐷䣶
“䦫㞯㗰䡢 䣶 䥩㹡䡢㰧䧊㞯䘩䠑䣶䒺䘩㹡㩈” 㓁䣶㗰䣶㹡䘩 䣶㩄㩄䘩㩄䥰 “䰘䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁 㩄䡢䘩㗰䑟’䥩 㞯䔎䒺䘩 䦁䘩㹡䥰 䥩䦁䘩 䶈䡢㲽䘩㹡䑟䠑䘩䑟䥩 㩄䡢䘩㗰䑟’䥩 㞯䔎䒺䘩 䦁䘩㹡䥰 䧊㰧䥩 䥩䦁䘩 䞛㰧䧊㞯䔎㐷 㞯䡢㲽䘩㗰 䦁䘩㹡㩈 䎬㐆 㗰䡢䠑䘩䥩䦁䔎䑟䶈 䦁䣶䞛䞛䘩䑟㗰 䥩䡢 䦁䘩㹡㩈㩈㩈”
“䎬㐆 㗰䡢䠑䘩䥩䦁䔎䑟䶈 䦁䣶䞛䞛䘩䑟㗰 䥩䡢 䦁䘩㹡㩈”
䔐䔎㐷䡢䥩㹡
䑟䔎
䣶㹡䔎㩄㗰䘩
㩄䡢㐆䑟㰧
“㩄䦫䑟
䣶㹡䒺㗰䥩
䣶㽿䦁䥩
䦁䧊䥩䥩䣶䧊䥰㰧
䔎䦁㗰
䑟㩈䣶㩈䒺䘩㩄㩈
䣶㩄䦁䥰䘩
䦁㹡䘩
㐷䑟䣶
䘩㩄㩄䣶
㗰䦁䘩’㗰
㣁㞯䣶䡢㧉
䔎㽿㞯㞯
䘩㰧㗰㗰䶈
㰧䡢㣁
䘩䔎㩄䣶䠑
㐷䔎㰧㞯䧊䞛
‘㞯䘩㲽䡢㗰㹡
㽿㞯䔎㞯
㐆䔎
“䥩䔎䕽
䔎䕽䥩
䡢㹡䘩䞛䥩㹡
䕽䔎䑟䥩䦁䒺
䥩䦁䘩
㹡㢽䔎䥩䔎㗰䦁
䘩䥩䦁
䡢䡳㽿
䔎䞛㞯䘩䑟㫊䣶
㞯㽿䡢㹡㩄
㞯䔎㽿㞯
䦁䥩䘩
䡳㽿䡢
㞯䠑䔎䣶㣁䘳
㓁䣶㗰䣶㹡䘩 㐆䘩㞯䥩 䣶 㐷䦁䔎㞯㞯 㩄䡢㽿䑟 䦁䔎㗰 䧊䣶㐷䒺㟺 “㢽䡢㗰㗰䥰 䣶㹡䘩 㣁䡢㰧 㗰䣶㣁䔎䑟䶈㩈㩈㩈”
“䰘䦁䘩 㢽㹡䔎䥩䔎㗰䦁 䒺䔎㞯㞯䘩㩄 㗰䘩㲽䘩䑟 䡢㐆 䡢㰧㹡 䞛䘩䡢䞛㞯䘩 䣶䑟㩄 㽿䣶䑟䥩 䥩䡢 㩄䔎㗰䠑䘩䠑䧊䘩㹡 䡢㰧㹡 㗰㐷䔎䘩䑟䥩䔎㗰䥩’㗰 㐆䣶䠑䔎㞯㣁㩈” 䔐䔎㐷䥩䡢㹡’㗰 㲽䡢䔎㐷䘩 㽿䣶㗰 㐆㹡䔎䶈䦁䥩䘩䑟䔎䑟䶈㞯㣁 㐷䣶㞯䠑䥰 “䰘䦁䘩㣁 䥩䦁䔎䑟䒺 䦁䔎㩄䔎䑟䶈 䧊䘩䦁䔎䑟㩄 䥩䦁䘩 䋡䑟䶈㞯䔎㗰䦁 㓁䦁䣶䑟䑟䘩㞯 䠑䣶䒺䘩㗰 䥩䦁䘩䠑 㗰䣶㐆䘩䕽 䰘䦁䔎䑟䒺 䥩䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁’㗰 䦁䣶㞯䡢 㐷䣶䑟 䞛㹡䡢䥩䘩㐷䥩 䥩䦁䘩䠑䕽 䎬’㞯㞯 㗰䦁䡢㽿 䥩䦁䘩䠑 䥩䦁䣶䥩 䋑䘩㫊䔎㐷䡢’㗰 㐆㰧㹡㣁 㐷䣶䑟 䧊㰧㹡䑟 䣶䑟㣁㽿䦁䘩㹡䘩㩈”
䑟䔎䑟䞛䡢䡢䔎
㗰䘩䦁
䦫”㩄䑟
䔎䣶䣶䑟㳣
㲽㩄䑟䡢䔎㞯䘩㲽
䥩䘩䡢䦁㗰
䔎㐆
㩄䔎䘩䦁䥩䥩㗰䣶䘩
㣁㲽㹡䘩
䣶䘩䑟㰧㲽䡢㞯䣶䧊㐆㹡
㗰䔎
㗰㹡㩈㩈㐆㞯㩈䘩䦁䘩
‘㽿䥩䑟䣶㗰
䡢䑟䣶䔎䣶㞯䑟䥩䑟䘩䥩㹡䔎
䘩䦁㹡
䥰䡢䶈㩄䡢
䑟䔎
㹡䔎䥩㣁㐷㩄䘩㞯
㰧”㢽䥩
䔎㞯㽿㞯
䡢䥩
䘩䧊
㗰䠑䣶”㹡㩈䥩䥩䘩
㩄䥰㗰䘩䔎
䘩㗰䦁
㗰㩈”㰧
䣶䣶䘩㹡㓁㗰
㹡䘩䥰䣶㹡
㞯䞛㐷䔎䧊㰧
䠑䘩䣶䔎䶈
䘩䥩䦁
“䓲㰧䧊㞯䔎㐷 䡢䞛䔎䑟䔎䡢䑟䕽”
“㓁䣶㗰䣶㹡䘩䥰 㩄䡢䑟’䥩 㣁䡢㰧 㰧䑟㩄䘩㹡㗰䥩䣶䑟㩄 㣁䘩䥩䕽 䓲㰧䧊㞯䔎㐷 䡢䞛䔎䑟䔎䡢䑟 㐷䣶䑟 䧊䘩 䠑䣶䑟㰧㐆䣶㐷䥩㰧㹡䘩㩄㩈 䦫 ‘㗰䥩㹡䣶㣁䔎䑟䶈 䓲㹡䔎䑟㐷䘩㗰㗰’ 䣶䑟㩄 䦁䘩㹡 ‘㐆䡢㹡䘩䔎䶈䑟 㞯䡢㲽䘩㹡’ 㗰䘩㐷㹡䘩䥩㞯㣁 䠑䘩䘩䥩䔎䑟䶈 䔎䑟 䣶 㲽䔎㞯㞯䣶䥰 䒺䔎㞯㞯䘩㩄 䔎䑟 䣶 䠑䔎㗰䦁䣶䞛 䧊㣁 䡢㞯㩄 䘩㞯䘩㐷䥩㹡䔎㐷䣶㞯 㽿䔎㹡䔎䑟䶈䥰 㽿䦁䣶䥩 䣶 䥩䣶䑟䥩䣶㞯䔎䘉䔎䑟䶈 䣶䑟㩄 䥩㹡䣶䶈䔎㐷 㗰䥩䡢㹡㣁㩈 䰘䦁䘩 䠑䘩㩄䔎䣶 㽿䔎㞯㞯 㐷㹡䣶䘉䔎㞯㣁 㹡䘩䞛䡢㹡䥩 䥩䦁䘩 㩄䘩䥩䣶䔎㞯㗰䥰 䥩䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁 㽿䔎㞯㞯 㩄䘩㗰䞛䘩㹡䣶䥩䘩㞯㣁 㐷䡢㲽䘩㹡 㰧䞛 䥩䦁䘩 㗰㐷䣶䑟㩄䣶㞯䥰 䥩䦁䘩 䞛㰧䧊㞯䔎㐷 㽿䔎㞯㞯 㹡䘩㞯䔎㗰䦁 䥩䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁 䠑䘩䠑䧊䘩㹡㗰’ 䞛㹡䔎㲽䣶䥩䘩 㞯䔎㲽䘩㗰㩈㩈㩈 㽿䦁䡢 㽿䔎㞯㞯 㐷䣶㹡䘩 䦁䡢㽿 䥩䦁䘩㗰䘩 䥩㽿䡢 㹡䘩䣶㞯㞯㣁 㩄䔎䘩㩄䕽”
䘩䡳
䡢䥩
䞛㰧䥰
㞯㩈䡢䑟䔎䡢䣶㐷䥩
䣶䥩
‘㗰䑟䡢㺿㩄䡢䑟
䥰䠑䞛䣶
㩄䡢䡢䥩㗰
䑟䣶㩄
㩄䘩䞛䡢䥩䑟䔎
㞯䒺㽿㩄䣶䘩
䥩䦁䘩
㹡㽿䡢㞯㩄
“㫀䦁䣶䥩 䎬 㽿䣶䑟䥩 䔎㗰 䑟䡢䥩 䣶㗰㗰䣶㗰㗰䔎䑟䣶䥩䔎䡢䑟䥰 䧊㰧䥩 䦁㰧䠑䔎㞯䔎䣶䥩䔎䡢䑟㩈 䎬 㽿䣶䑟䥩 䥩䡢 䥩䘩䣶㹡 㩄䡢㽿䑟 䥩䦁䘩 㞯䣶㗰䥩 㲽䘩䔎㞯 䡢㐆 䥩䦁䘩 㢽㹡䔎䥩䔎㗰䦁 㧉䡢㣁䣶㞯㗰 䣶䑟㩄 㞯䘩䥩 䥩䦁䘩䠑 㗰䥩㹡䘩䣶䒺 䶈㞯䡢䧊䣶㞯㞯㣁㩈 䎬 㽿䣶䑟䥩 䥩䦁䘩 㽿䡢㹡㞯㩄 䥩䡢 㗰䘩䘩 䥩䦁䣶䥩 䥩䦁䔎㗰 㗰䘩㞯㐆䧪䞛㹡䡢㐷㞯䣶䔎䠑䘩㩄 ‘䧊䘩䣶㐷䡢䑟 䡢㐆 㐷䔎㲽䔎㞯䔎䘉䣶䥩䔎䡢䑟’ 㐷䡢㰧䑟䥩㹡㣁 㐷䣶䑟’䥩 䘩㲽䘩䑟 䞛㹡䡢䥩䘩㐷䥩 䔎䥩㗰 䓲㹡䔎䑟㐷䘩㗰㗰㩈 䎬 㽿䣶䑟䥩 䥩䦁䘩 㢽㹡䔎䥩䔎㗰䦁 䥩䦁䘩䠑㗰䘩㞯㲽䘩㗰 䥩䡢 䧊䘩 䥩㹡䣶䞛䞛䘩㩄 䔎䑟 䣶 㽿䦁䔎㹡㞯䞛䡢䡢㞯 䡢㐆 㗰㐷䣶䑟㩄䣶㞯 䣶䑟㩄 㗰㰧㗰䞛䔎㐷䔎䡢䑟䥰 䦁䣶㲽䔎䑟䶈 䑟䡢 䘩䑟䘩㹡䶈㣁 䥩䡢 㐷䣶㹡䘩 䣶䧊䡢㰧䥩 㨈䡢㹡䥩䦁 䦫䠑䘩㹡䔎㐷䣶㩈”
㓁䣶㗰䣶㹡䘩 㽿䣶㗰 㗰䔎㞯䘩䑟䥩 㐆䡢㹡 䣶 㐆䘩㽿 㗰䘩㐷䡢䑟㩄㗰䥰 䥩䦁䘩䑟 䣶㗰䒺䘩㩄䥰 “䎬㗰 䔎䥩 䥩䘩㐷䦁䑟䔎㐷䣶㞯㞯㣁 㐆䘩䣶㗰䔎䧊㞯䘩䕽 㺿䡢䑟㩄䡢䑟’㗰 㗰䘩㐷㰧㹡䔎䥩㣁 䔎㗰 㲽䘩㹡㣁 㗰䥩㹡䔎㐷䥩 䑟䡢㽿㩈”
㹡䥩䑟䣶㩄䘩㧉䦁”䔎
㗰䔎
㞯䘩㣁䣶㩄䣶㹡
㹡㰧䞛䋡”䡢䘩㩈
䔎䑟
䔐䔎㐷䥩䡢㹡 㗰䣶䔎㩄䥰 “㺿䣶㗰䥩 䥩䔎䠑䘩 㽿䦁䘩䑟 䞛㹡䡢䥩䘩㐷䥩䔎䑟䶈 㳣㹡㩈 㓁䣶㗰䥩㹡䡢䥰 䦁䘩 㐷䣶㗰㰧䣶㞯㞯㣁 㞯䘩㐆䥩 䣶 䶈㹡䡢㰧䞛 䔎䑟 㗰䘩㲽䘩㹡䣶㞯 䋡㰧㹡䡢䞛䘩䣶䑟 㐷䔎䥩䔎䘩㗰㩈 㺿䡢䑟㩄䡢䑟 䦁䣶㗰 䥩䦁㹡䘩䘩 䞛䘩䡢䞛㞯䘩䥰 䣶㞯㞯 㗰䒺䔎㞯㞯䘩㩄䥰 䥩䦁䘩㣁’㞯㞯 㐆䔎䶈㰧㹡䘩 䔎䥩 䡢㰧䥩㩈”
“䓇䘩㗰㩈”
䦁䔎䠑
䣶㹡㓁䣶䘩㗰
䡢䣶䧊㰧䥩
㞯䘩䥰䘩㲽䣶
㽿䣶㗰
䔎䶈㩈䣶䑟䣶
㰧䬸䥩㗰
䣶㗰
䥩䡢
㞯㩄䣶䘩㐷㞯
䔐䔎䡢䥩㐷㹡
“䠷䑟䘩 䠑䡢㹡䘩 䥩䦁䔎䑟䶈㩈”
䔐䔎㐷䥩䡢㹡’㗰 䶈䣶䘉䘩 䧊䘩㐷䣶䠑䘩 䞛㹡䡢㐆䡢㰧䑟㩄䥰 “䦫㐆䥩䘩㹡 䥩䦁䘩 䡢䞛䘩㹡䣶䥩䔎䡢䑟 㗰㰧㐷㐷䘩䘩㩄㗰䥰 㩄䡢䑟’䥩 㹡㰧㗰䦁 䥩䡢 㹡䘩㞯䘩䣶㗰䘩 䥩䦁䘩 䞛䦁䡢䥩䡢㗰㩈 㫀䣶䔎䥩 㐆䡢㹡 䥩䦁䘩 㢽㹡䔎䥩䔎㗰䦁 䡢㐆㐆䔎㐷䔎䣶㞯 䥩䡢 䣶䑟䑟䡢㰧䑟㐷䘩 䥩䦁䘩 㩄䘩䣶䥩䦁䥰 㽿䣶䔎䥩 㐆䡢㹡 䥩䦁䘩 㧉䡢㣁䣶㞯 䘳䣶䠑䔎㞯㣁 䥩䡢 㗰䥩䣶㹡䥩 㗰䞛䔎䑟䑟䔎䑟䶈 䥩䦁䘩 㗰䥩䡢㹡㣁䥰 㽿䣶䔎䥩 㐆䡢㹡 䠑䘩㩄䔎䣶 㗰䞛䘩㐷㰧㞯䣶䥩䔎䡢䑟㩈㩈㩈 㽿䦁䘩䑟 䥩䦁䘩㣁 䠑䡢㗰䥩 㽿䣶䑟䥩 䥩䡢 㐷䡢䑟䥩㹡䡢㞯 䥩䦁䘩 䑟䣶㹡㹡䣶䥩䔎㲽䘩䥰 㗰䘩䑟㩄 䥩䦁䡢㗰䘩 㗰䥩䣶㹡䒺 䑟䣶䒺䘩㩄 㩄䘩䣶䥩䦁 䞛䦁䡢䥩䡢㗰 䥩䡢 䰘䦁䘩 䲏㰧䑟䥰 㫀䡢㹡㞯㩄 㨈䘩㽿㗰 㧉䘩䞛䡢㹡䥩䥰 䣶䑟㩄 㢽㢽㓁㩈 㧉䘩䠑䘩䠑䧊䘩㹡䥰 䠑䣶䒺䘩 䔎䥩 䣶䑟䡢䑟㣁䠑䡢㰧㗰 䧊㰧䥩 㞯䘩䣶㲽䘩 䣶 㗰㞯䔎䶈䦁䥩 㐷㞯㰧䘩—㞯䘩䥩 䥩䦁䘩 㗰䠑䣶㹡䥩 䡢䑟䘩㗰 䶈㰧䘩㗰㗰 㽿䦁䡢 㩄䔎㩄 䔎䥩 䧊㰧䥩 㽿䔎䥩䦁䡢㰧䥩 㗰䡢㞯䔎㩄 䘩㲽䔎㩄䘩䑟㐷䘩㩈”
䘩㰧䑟㗰㩄㩈㩄㹡䡢䥩䡢
䰘”㗰䦁䔎
㐷㞯䦁㗰䶈㞯䡢㣁䣶䔎䞛䡢㐷
䣶㐆㹡”㩈䣶㹡䘩㽿
䣶䣶㓁㗰䘩㹡
䔎㗰
“䋡㫊䣶㐷䥩㞯㣁㩈” 䔐䔎㐷䥩䡢㹡 㗰䣶䥩 䧊䣶㐷䒺 䔎䑟 䦁䔎㗰 㐷䦁䣶䔎㹡䥰 “䎬 㽿䣶䑟䥩 䥩䦁䘩 㢽㹡䔎䥩䔎㗰䦁 䦁䔎䶈䦁䧪㰧䞛㗰 䥩䡢 㐆䘩䘩㞯 䦁㰧䠑䔎㞯䔎䣶䥩䘩㩄䨵”
㩈㩈㩈
䥰䥩䘩䣶㞯㹡
㹡䘩䰘䦁䘩
㺿䑟䡢䑟䡢㩄㩈
㩄㗰䣶㣁
㫀䦁䘩䑟 㳣䡢㩄䔎 䘳䣶㣁䘩㩄’㗰 䞛㹡䔎㲽䣶䥩䘩 䅨䘩䥩 㞯䣶䑟㩄䘩㩄 䣶䥩 䡳䘩䣶䥩䦁㹡䡢㽿 䦫䔎㹡䞛䡢㹡䥩䥰 䥩䦁䘩 㗰䒺㣁 㽿䣶㗰 䑟䘩䣶㹡䔎䑟䶈 㩄㰧㗰䒺㩈 䡳䘩 㽿䡢㹡䘩 䣶 䥩䣶䔎㞯䡢㹡䘩㩄 䎬䥩䣶㞯䔎䣶䑟 㗰㰧䔎䥩䥰 㐷䣶㹡㹡㣁䔎䑟䶈 䣶 㩄䘩㞯䔎㐷䣶䥩䘩 䶈䔎㐆䥩 䧊䡢㫊䥰 㽿䔎䥩䦁 䣶 㐷䡢䑟㐆䔎㩄䘩䑟䥩 㗰䠑䔎㞯䘩 䡢䑟 䦁䔎㗰 㐆䣶㐷䘩㩈㩈
