Although some stories are fabricated, some people truly come from historical sites, with historical figures adapted; those heroes probably accomplished such feats in their time.

Later generations rewrote those feats into books, transformed them into movies and TV dramas, so that descendants would know the bloodshed of ancestors wasn’t in vain.

They ask them to always remember the legacy of the martyrs and educators, creating a peaceful world, letting future generations grow up in peace with happiness and delight.

How many hardships did the martyrs endure?

Let everyone know, always remember, the happiness they now possess was created by immortals, using the cost of blood, using life to create.

Many were young lives, lost at a tender age.

Those who survived passed down scenes from memory in words, then wrote them into articles, transformed them into movies and TV dramas.

Of course, there are also many authors who create different dynasties, different balanced spaces.

Those feats are entirely reliant on the author’s imagination, not from the real world.

They are imagined from thin air, with no such dynasties in history, no such eras, nor such characters appearing.

Jiang Tang also thought if ancient wars could be rewritten, would it be different?

This time, Jiang Tang changed the plot of a movie, then he traversed through different TV dramas, into different movie characters, changing plots, altering a protagonist’s life.

Those so-called cannon fodder, those fated to die, would also become part of the illustrious hero ranks.

Cannon fodder wouldn’t die so easily.

In movies, the most common cannon fodder are of course the innocent masses.

Because they lack weapons and organization, only due to not having such weapons or courage, in treacherous hearts, among so-called traitors, they only end up as cannon fodder, easily besieged and slaughtered.

Not only that, but they would be seized and robbed.

Don’t even mention farming, don’t even mention living in peace; for them, getting enough to eat is truly difficult.

Jiang Tang altered a movie protagonist’s fate, and rather than the common folk being slaughtered, it was those people who inexplicably fell gravely ill or collapsed.

Displaying such brutality, causing fear and fleeing among the people.

When those people died without reason, those so-called traitors panicked and fled.

They always felt they were cursed in some place.

As for the battle lasting days and nights, in the end, only the enemies died; our army, including those warlords, had casualties but not massive deaths.

And seized many weapons from those people.

Jiang Tang and his wives transitioned into the large battlefield of ancient costume dramas, with more and more short sentences, and less grand plot scenes.

Dozens of commoners, a few protagonists, make a scene.

This time, they entered a grand drama lasting over a hundred episodes, not the setting of a short drama.

Movies have filmed for decades, yet still collected in certain software, with free viewing movies and TV shows.

Later, many adapters emerged, same plot, different actors.

Although Jiang Tang, with his wives, entered this drama world, inside the Magical Treasure, they hadn’t descended.

This time, the scene was some desert, at the border, between two countries’ junction.

The cause of the war was naturally the Desert Country, feeling their desert was too unbearable, lacking water sources, wanting the land and cities of the other country, moving their citizens to places with water sources and arable land.

The desert had some oases, all belonging to those royal palaces and nobles, while the desert people lived more poorly.

For a mouthful to eat, life was harder.

The people there, envied foreign citizens endlessly, because their lands always had such fertile soil.

Regarding accommodation and food, they were better off than them.

This side sought war, thus colluding with people from another country.

The traitor wished to become the king of this country, to incite border wars, causing domestic chaos, having the chance to depose the emperor, and change the dynasties.

The plot started with war beginning, armies on both sides fiercely fighting.

Jiang Tang appeared, cast a spell, splitting the two factions, forbidding them to fight.

Looking at the summary, this time both sides had many casualties, then it was Desert Country’s troops encircling the city from another country.

Besieged for long, out of food.

This country had a traitor appearing again, refusing to transport supplies during combat, causing soldiers to starve to death trapped.

Many soldiers starved, then Desert Country’s soldiers breached the city, killing many people, one city after another conquered.

On the border, war raged, domestically chaos erupted, the emperor was too dim, believing traitor’s words, one city after another lost.

Afraid of death, dispatched more generals, recruited more civilians as soldiers.

Domestically flooded, numerous refugees emerged, commoners turned into refugees and chaos arose.

The traitor seized the palace at this time.

No one domestically cared about the border anymore.

Several cities were occupied by Desert Country.

The fight continued only due to some Jianghu People and certain General’s Family resisting.

Though Jiang Tang disdained the dim emperor, he didn’t want so many citizens slaughtered.

Although the Desert Country’s emperor sparked the war, he didn’t initially kill their people and soldiers like before.

In preventing the first grand war.

Magic formations laid in cities on both sides.

Blocking both sides from entering each other’s cities; they couldn’t attack each other in any case.

Jiang Tang subsequently moved, extracting the traitor, who sought to change dynasties, and colluded with many.

Among them was the original emperor’s son, ambitious ministers, neglecting citizen’s lives, ignoring whether supplies reached border warriors.

Disaster relief money uncared for, whether food reached citizens uncared for.

These people abused power for personal gain, nourishing their private soldiers.

When Jiang Tang entered the plot, disaster began in the country, aiming to avert ongoing calamities.

Southwards, enduring persistent rainfall, blocking continued rainstorms.

Floodwaters absorbed from his Immortal Treasure through a spell.

Crops ruined, disaster and plague arose.

Jiang Tang followed the revival of all things, restoring collapsed houses.

Restoring ruined crops as before, appearing unchanged.

Pledged to eliminate any plague.

Regarding those who died of starvation or viral infection.

By his actions, restored to prior states, like returning to a year ago, those people still alive, no disasters manmade or natural.

To prevent spotting disaster in this plot again, Jiang Tang mitigated hidden risks.

Considering current river, artificially built dam too low.

No cement, no rebar, even with minerals, unable to build sturdier dams.

Farm field ditches not deep enough.

Jiang Tang, living in the real world, knew rivers and field ditches were well-built.

To never experience such flash floods, not only mountain safety but numerous hidden dangers.

Jiang Tang knew changes could only be made to the plot, perhaps altering decades, but not forever altering history.

Simply entering the plot as a deity to change the plot.

Wanting those people to avoid losing homes or lives, avoiding national extermination.

Treachery wouldn’t easily succeed.