Liam O'Connell keeps advancing patiently from center ring, but the pressure never fully settles into place. Every time he begins stepping deep enough to close distance properly, Miguel Cabello has already drifted somewhere else first.

Miguel's footwork does not look explosive, fast, or particularly athletic. In fact, the movement itself is relatively slow. But it stays smooth and constant, layered with small feints, decoy steps, subtle shoulder dips, and sudden directional changes that make him strangely difficult to follow.

That becomes the frustrating part almost immediately.

At last, Liam forces his way extending a jab toward the chest. But Cabello easily catches it lightly on the rear glove…

Tap.

…while gliding outside the line with a short pivot off the lead foot.

Before Liam can reset his stance properly again, Miguel has already settled at a slightly different angle near the perimeter.

"Notice the feet," Nakahara says quietly. "He's never giving him a stationary line to pressure."

The same thing keeps happening afterward. Liam advances, Cabello subtly changes angle. Liam cuts toward the perimeter, Cabello stops him with a few jabs before drifting away through a short L-step exit.

And despite all the movement, Cabello barely throws anything himself.

A quick jab taps the forehead.

Pak.

A left hand brushes the guard.

Dug.

Then he resets and resumes circling laterally around the perimeter again. There is still very little real damage from either side so far, nothing explosive or dramatic yet despite the world title stakes hanging over the fight.

Despite that, by the middle of the round, the rhythm already feels controlled by Miguel Cabello. Because Liam still cannot find sustained offense.

And then, near the final minute, Liam finally manages to narrow the space properly for the first time after subtly cutting off Cabello's lateral movement near the ropes.

And the arena noise immediately rises.

"Finally got him," Aramaki mutters.

Liam steps in behind a compact jab-hook entry, but Cabello pivots out before the second punch fully arrives.

The hook only grazes partially across the shoulder.

Dug.

And a second later Miguel is already gone from the line again, calmly circling back toward open space.

The first round ends with very few clean punches from either fighter. But visually, the ring feels controlled by Cabello almost the entire time.

***

The second round begins in nearly identical fashion. Only now, Miguel starts touching his guy more.

A quick left lands lightly against the forehead before disappearing again.

Dsh!

Later, a jab touches the chest…

Bugh!

…and Cabello pivots outside immediately afterward.

Then another body jab slips underneath Liam's elbow.

Thud!

"Good scoring," Sera mutters quietly.

None of the punches carry real damage, but they arrive clean enough to slowly tilt the rhythm further toward Cabello, and breaks Liam's advance.

Aramaki leans forward slightly from the sofa afterward. "At this rate, this might become an easy fight for him."

Nakahara glances toward him. "You should be paying attention from Liam's perspective instead."

Aramaki blinks once. "What?"

"If you were the one inside that ring right now," Nakahara continues calmly, "you'd be suffering from the exact same problem."

Inside the ring, however, Liam continues pressing with the same stubborn patience. He gives up no emotional reaction despite the growing difficulty of pinning Cabello down cleanly.

And toward the middle of the round, the pressure finally starts producing results. Liam subtly cuts off one lateral exit before stepping deeper with his lead foot, forcing Cabello backward toward the corner instead of allowing him to drift safely along the ropes.

The crowd volume immediately rises. Cabello notices the trap forming early. But instead of escaping immediately, he suddenly plants his feet near the ropes.

"Oh?" Sera's eyes narrow slightly. "He is holding his ground?"

Liam surges forward instantly behind a compact barrage toward the body and chest.

Dug! Dug! Dug!

And for the first time tonight, the aggression fully appears.

The Mexican-style pressure suddenly becomes much uglier at close range; short hooks, compact uppercuts, shoulders constantly leaning forward while trying to suffocate space entirely.

Cabello immediately shifts posture. His lead shoulder rolls forward. Rear hand rises near the cheek. The stance tightens into a temporary Philly Shell.

"There!" Aramaki points toward the screen. "He's using the Philly Shell now!"

But unlike a pure American defensive shell, Miguel only uses the posture briefly.

A hook crashes against the shoulder roll.

Dug!

Another skids partially across the rear glove.

Pat!

Then Cabello suddenly answers back himself, not with a coiling counter, but fighting back like an in-fighter.

A short left hook snaps toward the ribs.

Thud!

A compact right hand follows immediately afterward through the middle.

Pak!

The exchange becomes rough for several seconds as both fighters trade at close range along the ropes before Cabello abruptly wraps one arm around Liam's shoulder to force the clinch.

The referee immediately steps in.

"Break! Break!"

"And that," Nakahara says calmly, "is another misconception people have about Cuban boxing."

Aramaki glances sideways toward him.

"They can fight inside too," Nakahara continues. "People just focus too much on the movement."

Once the referee separates them, the fight immediately resets back into the earlier rhythm.

Cabello regains open space almost instantly afterward. And for nearly another full minute, Liam falls back into the same frustrating chase again.

The movement itself never looks hurried, yet Liam still struggles to find him cleanly.

***

Only in the final twenty seconds does the pressure finally corner Cabello again. This time Liam traps him harder against the ropes before unloading another compact barrage toward the head and body.

Dug! Dug! Dug! Dug!

Cabello leans into the Philly Shell again while absorbing most of the impact across shoulder rolls, forearms, and gloves.

Then suddenly…

Bugh!

A coiling counter snaps sharply into Liam's chest from the shell position.

The impact stalls the pressure for half a second. And that alone becomes enough. Miguel immediately drives his lead shoulder into Liam's chest to create space before sliding away from the ropes again.

But this time, something changes afterward. For the first time tonight, the stiffness disappears from him.

Miguel's head begins rocking lightly left and right with looser rhythm, almost resembling dance movement more than conventional boxing footwork.

He dips one shoulder low before whipping an awkward hook toward the body from a strange angle.

Thud!

Then he suddenly leaps forward without punching at all, briefly trapping Liam's guard with both hands before slipping around toward his flank and nearly behind him entirely.

"What the hell was that?" Aramaki blurts out.

Miguel reclaims center ring almost playfully afterward, briefly hopping only on his left leg like a dancer before the right foot lands sharply beside it.

At the exact same moment, his stance widens. A spearing jab suddenly shoots straight into Liam's midsection.

Thud!

Then he instantly hops backward again into a short pendulum rhythm as the bell approaches.

"There," Sera says quietly. "Maybe that's the only real difference between him and you, Ryoma."

Ryoma glances sideways slightly. "That unorthodox rhythm?"

"The Cubans made the system truly theirs because of that unpredictability," Nakahara says after a nod. "That rhythm never disappeared from their roots. It comes from their music, their dance, their movement culture."

His gaze stays on the screen. "For them, boxing isn't only structure. It's rhythm, feeling, freedom of movement inside a confined space. They turn the ring into something closer to a performance stage than a battlefield."

Aramaki stares at the screen with open disbelief afterward. "So you're saying they study all the boxing science and fundamentals… and still fight with that kind of freedom afterward? How is that even possible?"

Sera simply shrugs lightly. "Freedom means you can choose whatever shape you want to use. And that includes using every fundamental you already have in your arsenal."

From behind the desk, Kurogane finally speaks for the first time since the round began. "That's what separates real Cuban boxers from fighters who merely imitate Cuban boxing."

Almost at the exact same moment, Miguel suddenly breaks rhythm again onscreen. Liam steps forward behind another compact jab, and Cabello responds with something bizarre.

His right arm circles loosely downward in a whipping motion that almost resembles a casual dance flourish more than an actual punch.

From that strange looping angle, the fist snaps upward into a sharp Bolo Punch toward Liam's body.

BUGH!

The crowd immediately reacts to the unexpected shot.

"What the hell…" Aramaki mutters while staring at the television. "I fought Rikiya Miyamoto before. People always talked about his Cuban style too…"

Miguel smoothly pivots away afterward before lightly rocking his shoulders again near center ring, posture relaxed as if the strange punch had meant nothing at all.

"But this…" Aramaki says slowly, eyes still fixed on the screen, "this feels completely different from Rikiya's."

"The Cubans themselves call it 'the sugar,'" Nakahara says calmly. "And you don't deserve calling your style Cuban boxing if that sugar doesn't exist inside it."

"And Miguel Cabello…" Kurogane adds quietly. "He still hasn't poured all the sweetness into the pot yet."

Another loose shoulder rhythm appears onscreen before Cabello suddenly drifts laterally again. But this time, instead of keeping his torso aligned toward Liam, he fully turns his body toward the direction he's moving, almost like a man casually walking away from the fight itself.

For a brief second, he appears absurdly exposed. His chest no longer faces Liam properly. His eyes seem focused toward the empty space beside the ring instead of the opponent.

"Where the hell is Cabello even looking right now?!" one commentator blurts out through a laugh. "That's either insane confidence or absolute madness!"

The exaggerated posture immediately provokes a reaction. Liam steps in hard and swings a long lead hook toward Cabello's head.

But at the exact moment the punch comes, Miguel suddenly ducks while shifting back toward the opposite side, slipping from Liam's left flank to his right in one fluid motion.

While doing so, his left hand flicks upward briefly like a feint toward the face. But the real punch comes from his right, uncoils downward into another whipping bolo punch toward Liam's exposed ribs.

BUGH!

The shot lands cleanly. And before Liam can even reset his feet again, Cabello is already drifting laterally around the perimeter once more, torso still loose, movement still smooth.

It's as if the entire bizarre exchange had simply been part of an improvised dance step rather than a boxing maneuver.