I just want to quietly draw manga - Chapter 170 - 168
After the three of them got into the taxi, the car drove straight to Airiās apartment. š»š³š¦š¦šøāÆš·šÆš°š£āÆš.š¤šš®
"This is where you live?" Haruki glanced out the window, taking in the upscale neighborhood and the buildingās high-end design.
For the first time, he realized this childish, spoiled girl was actually loaded. The kind of rich where you skip twenty years of struggle just by existing.
"Yep! Want to come up? If youāve got nothing on tomorrow, just stay over! My living room, my room, the guest rooms they all have PCs. I spent a fortune setting them up. Theyāre way better than net cafĆ© rigs. Come on, letās keep grinding!" Airi said excitedly.
"Iām good. You should head in," Haruki said, shaking his head.
"You really just invite people to your place like this? You barely know me. Arenāt you worried I might be sketchy?"
"But youāre not," she replied without hesitation.
"Suit yourself. See you next week, then!" she said, clearly disappointed.
Haruki sighed. Great now he was stuck playing the responsible one.
"Letās go," he told the driver.
"Later, Airi!" Ryuko waved from the backseat as they pulled away.
Once they were back in the taxi, Ryuko glanced over at Haruki.
"Hey... so, Airiās a manga artist too?"
Sheād gathered that much from their conversation earlier.
"Yeah. Weāre both in the same magazine Shroud Line. Sheās the current top-ranked series."
"And you?"
"Iām second," Haruki said with a shrug.
"So youāre rivals now?"
It took Ryuko a second to piece it together, but the implications were obvious.
"Kinda," he said. "I care about getting to the top. But she... sheās the type who doesnāt care much either way. As long as she finishes the work, sheās fine with whatever happens."
He paused, then added, "Her editor, Haruka, once told me that if Airi had a job that paid better than manga, she probably wouldnāt even be doing this. She only draws because it beats doing anything else. Her ānormalā update schedule used to be monthly or even yearly."
It wasnāt often Haruki spoke that much, but for some reason, he didnāt mind now.
Ryuko nodded quietly, and the conversation faded. It was late, and both of them were too tired.
Eventually, the taxi dropped them off at their respective places.
Time passed quickly.
Outside of one afternoon a week reserved for training and the occasional break, Haruki spent every day on a strict two-location loop: drawing manga at home, then heading to the animation studio to oversee production and give feedback.
Every minute of his day was accounted for.
Under this rhythm, everything moved forward steadily.
Soon, Chapter nine of Initial D was officially published.
And unlike earlier releases, this one exploded.
In the weeks following the end of Ashes of tomorrow, sales of Shroud Line had taken a hit. But after Initial D began serialization, not only did it draw in Ashes of tomorrow fans, it also attracted a whole new crowd racing manga enthusiasts.
Now, sales of Shroud Line were almost back to their peak.
And with each cliffhanger, Initial D had become the kind of series readers couldnāt stop thinking about. Bookstores saw long queues forming in the early hours of release day, just for that weekās issue.
The Chapter picked up right where the last left off: Fujiwara Takumiās AE86 still tailing Takahashi Keisukeās FD, both cars barreling down Mt. Akinaās final stretch. The last five consecutive hairpin turns were approaching.
Fans had waited a full week for this moment.
Once again, the familiar rush of downhill racing hit like a wave those beautifully drawn corners bordered on artwork, and the intensity practically jumped off the page. Harukiās linework had leveled up again, fusing with the pacing to create a gripping, high-speed thrill even in static panels.
Keisuke, in the lead, looked increasingly tense. No matter how he pushed the FD, the 86 stayed glued to his bumper.
By contrast, Takumiās expression was calm focused, but composed.
In the mangaās paneling, the tension built as the cars closed in on the five hairpins. Neither one could pull away. The battle was reaching its climax.
And readers knew: the final twist had to come from something Takumi had hinted at earlier his trump card for these exact turns.
Because letās face it thereās no way Takumi could overtake an FD in pure performance without something.
If he did it just by "driving skill," itād be too convenient. Too protagonist-y.
On the mountaintop, Ryosuke Takahashi monitored everything. He ordered his teammates to report on the five-hairpin segment in real time.
"There! Keisukeās FD, Takumiās 86 approaching now!"
The moment that line hit, readers across the country perked up.
This was it.
What card was Takumi hiding for the five hairpins?
Then, in a gorgeous full-page spread, the two cars were shown drifting into a tight corner an image that practically vibrated with energy.
The onlookers Nakamura, Ryosuke, the Akina locals all tensed as the walkie-talkies fed them the scene.
Then came the moment.
Keisuke slowed for the sharp turn... and Takumi dove in from the inside line to accelerate and overtake.
Wait, what?
Even Keisuke was stunned.
Is he crazy?
That same reaction hit readers too.
Back in Chapter one, Takumi had won against Keisuke with a surprise maneuver partly thanks to Keisukeās unfamiliarity with Akina.
But this time was different.
The manga made it clear: at Takumiās current speed, no amount of skill could explain the cornering. The tires simply didnāt have enough grip.
Was the creator really going to give Takumi a "main character cheat" here?
Some readers frowned.
Up to now, the manga had stuck to realism no magical power-ups, no impossible tricks. Thatās what made it so appealing.
What fans wanted to see was Takumi winning with skills that, while extraordinary, still felt grounded. Not some shounen-style "power burst."
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